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It's really important to visit a site you are writing about. Even if you know it well, even if you have lived there, it's important to take a fresh look in terms of your characters and your story.
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Connections are made slowly, sometimes they grow underground.
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We lie in each other's arms eyes shut and fingers open and all the colors of the world pass through our bodies like strings of fire.
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I think we validate our lives through our actions.
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If what we change does not change us we are playing with blocks.
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The mind wraps itself around a poem. It is almost sensual, particularly if you work on a computer. You can turn the poem round and about and upside down, dancing with it a kind of bolero of two snakes twisting and coiling, until the poem has found its right and proper shape.
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The ruling class isn't dissatisfied: they are healthy, well-fed, live in beauty, enjoy their own importance: fun-loving cannibals.
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You are built to pull a cart, to lift a heavy load and bear it, to haul up the long slope, and so am I, peasant bodies, earthy, solid shapely dark glazed clay pots that can stand on the fire.
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The moon is always female and so am I although often in the vale of razorblades I have wished I could put on and take off my sex like a dress and why not?
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Love as if you liked yourself, and it may happen.
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There is no justice we don't make daily like bread and love.
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Everything you study, everything you learn, makes you a better writer, because you have more understanding of how things work.
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Never doubt that you can change history. You already have.
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If you want to be listened to, you should put in time listening.
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What a richly colored strong warm coat is woven when love is the warp and work is the woof.
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Every artist creates with open eyes what she sees in her dream.
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Suppose that a person writes what she must. That is only the first step of becoming a writer. The work must survive the moment of creation. It must get out to an audience. She or he must dare to show the work. She must risk ridicule, misunderstanding, scandal, condemnation, & what's often worse, none of the above: silence. No attention at all.
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Love says, mine. Love says, I could eat you up. Love says, stay as you are, be my own private thing, don't you dare have ideas I don't share. Love has just got to gobble the other, bones and all, crunch. I don't want to do that. I sure don't want it done to me!
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I did not always know I would be a writer. Until I had a room of my own, I did not write much at all - no more than any other child who read a lot of books. I began to write fiction and poetry when I first had a room that was truly my own with a door that shut and some measure, however fragile, of privacy.
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I wasn't afraid of being poor; I rather took it for granted. I was good at getting by with very little. I couldn't imagine sacrificing my writing to anything else.
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The powerful don't make revolutions.
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My grandmother was very important to me. She gave me my religious education. She gave me a sense of the female side of Judaism, of the rich store of stories and legends of the women of the schtetl.
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Suspense is one of the ways you persuade a reader to become engaged and stay engaged with your work.
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Remember that every son had a mother whose beloved son he was, and every woman had a mother whose beloved son she wasn't.