Ava DuVernay Quotes
Quotes to Explore
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I tested for a couple of pilots, but they said I was too tall.
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It is human nature to hate the man whom you have hurt.
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Those who incline to very strictly utilitarian views may perhaps feel that the peculiar powers of the Analytical Engine bear upon questions of abstract and speculative science rather than upon those involving everyday and ordinary human interests.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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People don't believe in me very much, but I have my teammates and my family that believe in me so much; they see how hard I work.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I think one thing that's important to maintain is a sense of fear, always doubting yourself... a good dose of insecurity helps your work in some ways.
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Honestly, I'd love to say I live this amazing Hollywood lifestyle, but actually, I'm at home with my same friends and cooking. I crochet, I do watercolor. I think what surprised me the most is that that isn't the lifestyle everyone necessarily lives.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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I haven't reported my missing credit card to the police because whoever stole it is spending less than my wife.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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Doing the best at this moment puts you in the best place for the next moment.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight.
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I'm aware that given what I've done in the past - and having a well-known parent - that people will be very quick to judge my path more than others, but I have to just not care.
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Creating new jobs for Pennsylvanians continues to be my highest priority throughout the Commonwealth.
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I've never been against women. That anti-feminist rap is bogus. I think men should be nice to women, buy them diamonds.
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It is better that one's customers come to one's shop than to have to look for them abroad.
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In New Orleans, where I'm from, the average household income, with two working parents, two kids, a dog and a little fence is $16,000 a year, so $15,000 for a movie sounds pretty good.
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I was determined to share my positive approach and not let diabetes stand in the way of enjoying my life.
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At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
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You can have the power of your music on your cellphone and reach millions.
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The love in the Midwest is way different from New York - people accepted me like one of their own, and they showed me a bunch of love, so I did a big song dedicated to them.
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You know, often films that are deemed positive, nobody wants to see them.
