Ava DuVernay Quotes
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I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
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I didn't have to learn Selma to make 'Selma.' I didn't have to research what kind of place this is. The people I love most in the world live in that part of the country.
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Positive characterizations are complex characterizations. That's all we need to know. They shouldn't be saccharine. They shouldn't feel like medicine.
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When I was out promoting 'Selma,' I became aware of so many other films that ought to be getting distribution. And this is a problem I can do something about because of my experience.
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Diversity is not one in the room. Diversity is not two in the room. Diversity is not three in the room. True diversity is half the room.
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Especially when we're dealing with issues of race, culture, identity, and history, the time has passed for the 'white savior' holding the black person's hand through their own history.
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If you're doing something outside of dominant culture, there's not an easy place for you. You will have to do it yourself.
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We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
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There's something very important about films about black women and girls being made by black women. It's a reflection as opposed to an interpretation.
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I make films about black women and it doesn't mean that you can't see them as a black man, doesn't mean that he can't see them as a white man or she can't see them as a white woman.
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There's really no precedent for someone like me gaining clout in the space that I'm in - a black woman directing films in Hollywood.
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When we're talking about diversity, it's not a box to check. It is a reality that should be deeply felt and held and valued by all of us.
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You see women struggling to keep it all together while a loved one is in jail. But we don't hear about them or their struggles in a way that resonates with others. Their stories are so compelling. It's as if they are in their own little world and no one else sees them.
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All black women aren't sassy, loud, difficult, or subservient. We are, in fact, very complex and very diverse, living very complex and diverse lives. That point cannot be made enough.
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Women have been trained in our culture and society to ask for what we want instead of taking what we want. We've been really indoctrinated with this culture of permission. I think it's true for women, and I think it's true for people of color. It's historic, and it's unfortunate and has somehow become part of our DNA. But that time has passed.
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If your dream is only about you, it's too small.
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When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.
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When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
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I'm interested in seeing artists whom I respect who are very focused on the Black Lives Matter moment, bringing that into storytelling in a way that really amplifies the beauty and the humanity of people of color, and does it without having to wave a big sign that says, 'This is what we're doing.'
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Today, when you look at social media, you see that the narrative can be overtaken by people just from Twitter and Instagram. I know when Ferguson was going down those first few nights, I was watching feeds on the ground on Twitter, not CNN.
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If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
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Every filmmaker imbues a movie with their own point of view.
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There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
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In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.