- All Quotes
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'Queen Sugar' is a drama about family. It's something that allows us to be ourselves and see the ways that we interact with our own families.
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If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
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I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
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Today, when you look at social media, you see that the narrative can be overtaken by people just from Twitter and Instagram. I know when Ferguson was going down those first few nights, I was watching feeds on the ground on Twitter, not CNN.
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I'm interested in seeing artists whom I respect who are very focused on the Black Lives Matter moment, bringing that into storytelling in a way that really amplifies the beauty and the humanity of people of color, and does it without having to wave a big sign that says, 'This is what we're doing.'
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Every filmmaker imbues a movie with their own point of view.
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When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.
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I think I am a little jealous of women who have great girlfriends as adults.
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I made my first film when I was 35, so I firmly believe that you don't have to be one thing in life. If you're doing something, and you have a desire to do something different, give it a try.
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When we say there's a dearth of women directors, it's not that there's a lack of women who direct: it's a lack of opportunities and access for women to direct and be supported in that.
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Art morphs with what's going on in the world. We say 'Ferguson'; we don't say 'Mike Brown.' Just like we say 'Selma,' not 'Jimmie Lee Jackson.' There is something startling about the people in a particular place, a city or a small town, rising up and taking to the streets.
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I love community, I love to be around other people. I love to be around other people when everyone's feeling good and doing their best. Not to just be the only one in the room that's shining.
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I want to be an old lady, with my cane, shouting, 'Action!' and 'Cut!'
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There's been no major motion picture released by a studio, no independent motion picture, in theaters, with King at the center, in the 50 years since these events happened, when we have biopics on all kinds of ridiculous people. And nothing on King? No cinematic representation that's meaningful and centered.
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When I was out promoting 'Selma,' I became aware of so many other films that ought to be getting distribution. And this is a problem I can do something about because of my experience.
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It's emotional for artists who are women and people of color to have less value placed on our worldview.
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I think good publicists are just like good mommies - always looking out, making sure folks are comfortable and making sure that folks are on time and making sure that folks are getting what they need and know what they need to do.
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Women have been trained in our culture and society to ask for what we want instead of taking what we want. We've been really indoctrinated with this culture of permission. I think it's true for women, and I think it's true for people of color. It's historic, and it's unfortunate and has somehow become part of our DNA. But that time has passed.
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I love to see people just being regal in their own skin; it's just when they know who they are.
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The best art is realized when you can share the experience of making of it and not just the presentation of it, so that the audience is part of the creation and not just part of the consumption. Then it becomes much more full-bodied and robust.
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If you're doing something outside of dominant culture, there's not an easy place for you. You will have to do it yourself.
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Any film that you see that has any progressive spirits that is made by any people of color or a woman is a triumph in and of itself. Whether you agree with it or not. Something that comes with some point of view and some personal perspective from a woman or a person of color is a unicorn.
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I make films about black women and it doesn't mean that you can't see them as a black man, doesn't mean that he can't see them as a white man or she can't see them as a white woman.
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We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.