Ava DuVernay Quotes
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For female directors, there's a whole other set of things we have to think about, particularly when we are casting men, because there are some actors who have never been directed by a woman. Crew members, too.
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I love to see people just being regal in their own skin; it's just when they know who they are.
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There's something very important about films about black women and girls being made by black women. It's a reflection as opposed to an interpretation.
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If you're doing something outside of dominant culture, there's not an easy place for you. You will have to do it yourself.
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You see women struggling to keep it all together while a loved one is in jail. But we don't hear about them or their struggles in a way that resonates with others. Their stories are so compelling. It's as if they are in their own little world and no one else sees them.
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I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
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As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly inclusive.
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If I can be in a place where my image is encouraging people to see different people behind the camera, and my image and the images I make can help open up a certain world view, I think that's all a part of a larger spirit of change and progress, and I'm happy to be part of it.
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I like silence. Aesthetically, I feel strangled by the fast cutting and a wall of sound. And I think showing black people thinking onscreen is radical.
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I spent a whole 12 years helping other people tell their stories as a publicist, so just to be able to go and write and get behind the camera, that's my thing.
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In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
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We know there needs to be diversity in storytellers telling their own stories. I think there's a beautiful forward movement in that direction with McQueen telling '12 Years A Slave,' with Coogler telling 'Fruitvale,' and with Daniels telling 'The Butler.'
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Especially when we're dealing with issues of race, culture, identity, and history, the time has passed for the 'white savior' holding the black person's hand through their own history.
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I financed and made my own films from the start. My path has been autonomous and independent, so I don't have any horror stories about glass ceilings and expectations and tense studio meetings.
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Be passionate and move forward with gusto every single hour of every single day until you reach your goal.
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Film is a mirror. I want to see more filmmakers. We all want to see ourselves.
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As a filmmaker, you put the film out there, and you just want it to be okay. You don't want to let people down; you don't want to embarrass yourself.
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I'd be absolutely happy to go back and make a smaller picture. I never want my choices to be dictated by budget. That's one of the reasons why I take so much pride in being able to make films for $2 and a paper clip - because I can always get my hands on $2 and a paper clip. I never have to ask for permission for that.
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I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.
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You know, often films that are deemed positive, nobody wants to see them.
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Why do we always have to see black people in hindsight? Why are the Hollywood movies always historical? What about the contemporary image of black people?
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Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.
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There can be a progression to the dream; there can be steps to it. When you dissect any successful person's story, it's really rare that it was all or nothing. It's steps, and I just try to remind myself of that in terms of the things that I want; it's like, everything is a step, leading you to where you need to go.
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My interest as an artist is to illuminate the lives of black folks. I definitely am focused on films that illustrate all that we are and all our nuance and all our complicated beauty and mess, and when you're telling those stories, you gotta have black actors.