Ava DuVernay Quotes
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The best art is realized when you can share the experience of making of it and not just the presentation of it, so that the audience is part of the creation and not just part of the consumption. Then it becomes much more full-bodied and robust.
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In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
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Positive characterizations are complex characterizations. That's all we need to know. They shouldn't be saccharine. They shouldn't feel like medicine.
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Oh gosh, I'm completely allergic to historical dramas. Particularly those around the civil-rights movement. It's not my favorite thing to watch. So often they feel like medicine. Or not even a history lesson, because I really like history. Just... obligatory.
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You see women struggling to keep it all together while a loved one is in jail. But we don't hear about them or their struggles in a way that resonates with others. Their stories are so compelling. It's as if they are in their own little world and no one else sees them.
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I like silence. Aesthetically, I feel strangled by the fast cutting and a wall of sound. And I think showing black people thinking onscreen is radical.
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As a filmmaker, you put the film out there, and you just want it to be okay. You don't want to let people down; you don't want to embarrass yourself.
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Be passionate and move forward with gusto every single hour of every single day until you reach your goal.
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I spent a whole 12 years helping other people tell their stories as a publicist, so just to be able to go and write and get behind the camera, that's my thing.
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If I can be in a place where my image is encouraging people to see different people behind the camera, and my image and the images I make can help open up a certain world view, I think that's all a part of a larger spirit of change and progress, and I'm happy to be part of it.
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For female directors, there's a whole other set of things we have to think about, particularly when we are casting men, because there are some actors who have never been directed by a woman. Crew members, too.
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Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.
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We know there needs to be diversity in storytellers telling their own stories. I think there's a beautiful forward movement in that direction with McQueen telling '12 Years A Slave,' with Coogler telling 'Fruitvale,' and with Daniels telling 'The Butler.'
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I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.
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Especially when we're dealing with issues of race, culture, identity, and history, the time has passed for the 'white savior' holding the black person's hand through their own history.
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You know, often films that are deemed positive, nobody wants to see them.
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I financed and made my own films from the start. My path has been autonomous and independent, so I don't have any horror stories about glass ceilings and expectations and tense studio meetings.
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I'd be absolutely happy to go back and make a smaller picture. I never want my choices to be dictated by budget. That's one of the reasons why I take so much pride in being able to make films for $2 and a paper clip - because I can always get my hands on $2 and a paper clip. I never have to ask for permission for that.
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Film is a mirror. I want to see more filmmakers. We all want to see ourselves.
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I think that if we really want to break it down, that non-black filmmakers have had many, many years and many, many opportunities to tell many, many stories about themselves, and black filmmakers have not had as many years, as many opportunities, as many films to explore the nuances of our reality.
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If your dream is only about you, it's too small.
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I want more girls to be able to see themselves behind the camera creating images we all enjoy, and I want to call attention to the fact that women directors are here all over the world.
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There's something very important about films about black women and girls being made by black women. It's a reflection as opposed to an interpretation.
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Why do we always have to see black people in hindsight? Why are the Hollywood movies always historical? What about the contemporary image of black people?