Ava DuVernay Quotes
In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
Quotes to Explore
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I grew up in a very large, poor family.
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Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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Most of my songs start out as being very aggressive and guitar-driven.
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There is evidence that some of al Qaeda's nuclear efforts over the years met with swindles and false leads.
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I write about wounds, the eternal treasons of life. It's not very funny, but it's sincere. My commitment is to sincerity.
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I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.
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I am from Karnal, India.
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I placed my new novel, 'The Book of Lost Fragrances', in Paris, knowing it would be a challenge. But the book belonged in the city that is one of the greatest perfume capitals of the world and has been since for more than three centuries.
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I'm a plodder, one foot in front of the other. Life is all about understanding that anything that can go wrong, will go wrong. And it's your ability with how you deal with that adversity that ultimately affects your success.
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The press doesn't stop publishing, by the way, in a fascist escalation; it simply watches what it says. That too can be an incremental process, and the pace at which the free press polices itself depends on how journalists are targeted.
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Every newspaper editor says the heart of the paper is the reporter - which is true - except for the pay!
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In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book.
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Color is born of the interpenetration of light and dark.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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I never met a woman I didn't like. I love 'em all, in their different ways.
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As I began to take risks, leaving my very comfortable and secure job and taking this first leap into fashion, every subsequent risk became easier to take because I began to see the kind of opportunity and excitement that risk-taking offered.
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New Year's Eve was always a big occasion at home with the family. Every year we would get the karaoke machine out and I'd entertain everyone, even as a young kid.
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I love my parents. Coming out to them was sort of coming out to myself. I educated them, and I wanted our relationship to keep growing. I wanted them to be a part of my life still. I wanted to be able to share with them what I was going through.
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You are what you drive in L.A.
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I'm intrigued by the dark. Out of darkness comes creation.
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In order to keep my creativity alive, I just try to enjoy life to the fullest.
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At the end of the day, we're all brothers and sisters in God. What people do is none of my business.
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In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.
