Ayelet Waldman Quotes
I tend to approach giving interviews with the same sense of circumspection and restraint as I approach my writing. That is to say, virtually none.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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There's such a strong community element in country - it's like a family. So I don't want to do anything that can come off, even if I'm not intentionally doing it, as giving the perception that I'm trying to abandon that family.
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When you're writing a story in bits and pieces, month in and month out, there really isn't time or space for reflection, no room to learn what those scripts had to teach you.
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The doctor who applied a stethoscope to my heart was not satisfied. I was told to get my papers with the clerk in the outer hall. I was medically rejected.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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You can express your generosity in ways that are virtually limitless. This was what I wanted to convey in 'Giving 2.0' - that whether you have $10 or $10 million to give, if you identify the right opportunities and make the most of your resources, your impact can be tremendous.
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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Hard writing makes easy reading.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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The ego being shattered is not what frightens me - that can be useful for writing - but the ego being inflated is sort of like it dying of gout.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I think if you're constantly reinvesting into your content and giving the fans stuff, then you can continue to tour. You can continue to sell the merch and monetize the popularity of the brand.
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You could take away the singing, and I am fine. But don't take away my gift of writing. It is the best way I can relate and express what I am feeling and what I am going through.
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I love writing two narratives! I think concurrent storylines are my favorite way to write a book.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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I've visited schools all across our state, and the message is clear. Our kids have needs today, and our educators need more resources to do their jobs.
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My journey as a player is complete.
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Until I was twelve years old, I led this wandering life, fishing, swimming, and making moccasins.
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I come from a country that lives and breathes rugby, and I didn't think there would be anywhere else in the world that could be the same. But New Zealand takes it to another dimension. It's extraordinary how much passion Kiwis have for the game.
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I tend to approach giving interviews with the same sense of circumspection and restraint as I approach my writing. That is to say, virtually none.
