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The world can make you very angry.
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I always felt a bit of a nerd, but my family gets me and my oddities. My kids and partner are way cooler than I am, but they let me in the room with them.
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If you want to fit in, you try to mirror whatever anyone wants from you.
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I think theater is very much my natural home. But the truth is that the older I've got, and the more I've written film and television, I find it incredibly hard to write theater.
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To be honest, if I was going to have any kind of fantasy, be it left-wing or otherwise, it wouldn't involve Margaret Thatcher.
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Really, feminism is just about equality, and that's all. It's just saying equal rights.
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I like bowling with my kids at Shoreditch House.
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I try to stay focused on the work and recognize that I've been very lucky. Maybe it's 'cause I grew up with actors, but I've seen that recognition comes and goes, so all there really is is your family and friends. You have to maintain those constants in your life. Maintain what's beyond your work.
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Usually when I write a movie, I'm lucky if I get one good actress.
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Plays are painful. But the very act of writing is a basic freedom denied some women. Some would call it a privilege. So what's a little pain?
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I'm quite interested in doing a film about fashion. As someone with no fashion taste whatsoever, I think it would be good for me.
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I am the most tense, annoying person in the world.
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I definitely people-watch. I often see photos of myself with my children: I'm always in the background with my mouth wide open, looking somewhere else.
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I need to be in charge, and that comes from when I was growing up and money was always an issue. I didn't want to feel the fear of poverty again, and I suppose, in that way, I qualify as Thatcher Youth.
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I can go to the BBC and say, 'OK, my next drama is for women, and it is diverse women.' I take that to America, however, and I have another set of conversations.
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Life experiences inherently change you as a writer. My sense of fury calmed down when I had children and found a loving partner.
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I still always think the greatest moment for me, as a writer, is when I press that button and send the first draft of the script.
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I'm a cheap date.
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The notion of having your muse was not something that was built for women originally. That's not to say women don't have muses. I get muses in terms of actors or writers who inspire me, so I understand the concept.
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The joy for me as a writer is that, despite the fact I spend most of my life on my own in a room eating too much chocolate and drinking too much tea, eventually they let me out into the world.
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I work from about 8:30 A.M. until 7 P.M., five days a week, when I'm not sneaking off to buy another bar of chocolate.
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Yes, I've heard of the 'Mad Men' comparisons, but I like to think 'The Hour' has its own distinctive voice. Although it is set in 1956, I have tried to give it a contemporary edge, and its themes of love, passion, romance, fury, professional jealousy, and personal failure are universal, I think.
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Eddie Marsan is just my favourite actor of all time. I love everything he's been in, so it's a dream come true to work with him.
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What's great about the way 'Shame''s been received is that I kept on thinking there's no way this film will be received well since I've had such a good time.