Margot Robbie Quotes
I've worked everywhere. I worked in a warehouse packing surf supplies, a restaurant washing dishes, in retail, and I was a 'sandwich artist' at Subway.
Quotes to Explore
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Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self.
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I like to be supportive and a role model.
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I was the girl that didn't go to prom or my graduation because I was too busy working with producers and making music.
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I consider the many years I produced 'Frontline' documentaries as the essential building blocks of my success.
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I know that I've played a lot of comedic roles. It's a visual medium. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully.
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I really trust Susan Stroman. I really think she knows what she's doing. I really trust Andrew Lippa and John August. I think they have proven themselves over and over again and know what to do, and they have the big picture in mind.
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Geek and Sundry has an eclectic line-up of shows all targeted around things I love: Comics, Tabletop Games, Books and more.
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There's no time for boys in my life right now.
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I think character is very much a product of where you live, who you are, what is happening in that time of your life, and I'm interested in those pressures, those forces. A political context, a social context, really determines if not who people are then how they treat one another and what they say, how they speak.
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When I started in California, people would say, 'Enterprise who?'
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If I examine the circumstances which inspired me to write – and this is not mere self-indulgence, but a desire for accuracy – I see clearly that the starting point of it all for me was war.
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I believe in honesty and integrity, having a belief system that you've thought through and then stick to. I believe in being creative and contributing, and I believe in taking a stand against injustice that you encounter in everyday life and not being idle in that respect.
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President Bush and I had asked Congress to appropriate a half-billion dollars to school vouchers. We didn't get it, and we were disappointed. But we did not go out and form a corporation to pay for it. That would have been a problem.
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Now I'm going to put my eyelashes on and stretch my legs out and do a show.
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I don't need to scare the other athletes. When I'm running, I will scare them.
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The only place I am recognized all the time is in L.A. and otherwise, it's only about once a day. I feel pretty anonymous.
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I'm looking for one of two things and sometimes they dovetail: I'm looking to go into a theatre and see a certain kind of show. And if it's not there, I'd like to do it myself so it would be there.
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My brain kind of works in steps. I have to go through things and then process them and then write about them. I have to understand them first.
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I still enjoy doing music. I'm not going to stop doing it, and doing it the way that I feel it should be done.
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The thing I was always most protective of was my mystery. I worried that if I gave too much of myself, then I would limit the characters I could fall into.
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I would play just about any role, male or female, in the Anton Chekov play 'The Cherry Orchard,' which I love.
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I've worked everywhere. I worked in a warehouse packing surf supplies, a restaurant washing dishes, in retail, and I was a 'sandwich artist' at Subway.
