Margrethe Vestager Quotes
Ours was a never a 'religious' religious home because my parents thought of religion as something you do: it's the way you engage in the local community. That has meant a lot to me.
Quotes to Explore
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My story is endless. I put in a teletype roll, you know, you know what they are, you have them in newspapers, and run it through there and fix the margins and just go, go - just go, go, go.
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In Iran I think nobody loses their job because of making a statement that reflects their opinion. From this point of view, conditions in Iran are far better than in many other places in the world.
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For decades, scholars have studied the ways in which implicit biases affect how we perceive other people in this multiethnic society of ours. The data consistently shows that about 90 percent of us possess some implicit prejudices - and, unsurprisingly, people typically favor their own group.
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In Morocco, it's possible to see the Atlantic and the Mediterranean at the same time.
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I love so many styles of music.
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I always knew I would make the record that I made in 'Carter Girl.'
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For those unfortunate enough to experience it, long-term unemployment - now, as in the 1930s - is a tragedy. And, for society as a whole, there is the danger that the productive capacity of a significant portion of the labour force will be impaired.
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Likewise the leader of any state has to do the same, he has to enforce Shariah firmly, for he will be held in account later in the afterlife if he fails.
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The story of civilization is, in a sense, the story of engineering - that long and arduous struggle to make the forces of nature work for man's good.
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But I used to have a bit of a gambling problem. And that would have been the answer to my prayers. It got worse when I started playing this character, too.
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I have my dad's shape. No booty.
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Working manually is not considered bad in the U.S.
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Clearly I am a very strong, top-of-the-line, always-rising-to-it personage.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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A lot of people go in and have to create their own characters, and they do fine with it.
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When I'm writing the first draft, I'm writing in a very slovenly way: anything to get the outline of the story on paper.
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We do want more, and when it becomes more, we shall still want more. And we shall never cease to demand more until we have received the results of our labor.
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My opinion, having done this now for two cycles, is I think the national media really likes me and likes what I have to say. But, at the end of the day, 'He's a Libertarian,' and that denotes some loose screws, maybe.
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'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
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We have a million ways to get ahold of people, and we're the loneliest we've ever been.
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I guess just a lively imagination is the best effort an actor can have.
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It's hard to care deeply for something that might turn on you and eat you.
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I am meeting Diaspora Jews all the time, and we are developing programmes to prevent distancing. We have a joint history, but we cannot take matters for granted. Israel is home for all of us, and part of the beauty of the country is its social diversity.
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Ours was a never a 'religious' religious home because my parents thought of religion as something you do: it's the way you engage in the local community. That has meant a lot to me.
