Marguerite Young Quotes
Every heart is the other heart. Every soul is the other soul. Every face is the other face. The individual is the one illusion.
Quotes to Explore
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I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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I write songs, and I sing them. I never formulated a plan; I can't tell anyone else how to do this. But it feels right, so I just kind of enjoy it and get on with it.
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The world is always terrible.
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The list of my favorite experiences would almost equal the list of plays I've been in. There are a few exceptions, but out of politeness I'm not going to mention them. If you don't have a few stinkers, you can't appreciate the good ones.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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My buildings are not particularly expensive. It is not a tin shed. If you want a tinny car, you pay for that.
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When I was first exposed to the films of Ingmar Bergman, I found them frank and disturbing portraits of the world we live in, but that was not something that displeased me. They were beautiful. I thought people would respond to my plays the way I responded to Bergman's films.
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Industry and institutes need to build smarter linkages.
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You look at a guy like Lance Armstrong, and you have to be inspired. I sat next to Kirk Douglas the other day, and he's inspiring for fighting through his stroke.
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I need to start honing in on projects that I want to devote my time to and not put my energies into the unattainable ones.
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I make no claim to being a business genius. You can make so much money in this business that it loses its value.
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The principal did not like the fact that the teachers would take my side. I always left an impression when I left the school - not for who I was but for what I did there.
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I hate dentists. That's why my tooth fell out. I was in the middle of a root canal and wouldn't go back, so it just dropped out when I was in the middle of Fifth Avenue.
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Concerning Poland, I can only say that the peoples of Central Europe and Hungary are a community in fate, to the death. Many of us would spill our blood for Poland any time. And vice versa: in an emergency, many Polish people would give his life to protect Hungarians. This has happened more than once over the course of history.
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I try to write life and not songs. People live life, and when you write life, you're going to mess around and touch somebody's heart, and they'll relate to you and what you're singing about.
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I'm a character actress, plain and simple... Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.
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Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.
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The way I work is I like to immerse myself in the world of the film and in the character's lives, and then from that, I get a lot of ideas of how the film could be made, how it could be told.
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For myself, Queer Eye feeds more to my heart and my soul than as a platform for a career.
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I'm a coward when it comes to matters of the heart. That is my fatal flaw.
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I am certain that I speak on behalf of my entire nation when I say: Today we are all Americans - in grief, as in defiance.
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'Come on boy, get up.'
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Every heart is the other heart. Every soul is the other soul. Every face is the other face. The individual is the one illusion.
