Marguerite Young Quotes
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At the age of 18 all young poets are sure they will be dead at 21 - of old age.
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If you don't have obsessions, don't write. my characters are obsessed.
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I would teach from nine to four, sleep an hour, and write from six until midnight, night after night.
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When the dream came into being, I always pursued it.
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The first money I ever had was when I received an award from the American Association of University Women.
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There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names-but there have been men who have seemed to want to destroy me or my writing, men I don't even know.
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A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.
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I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.
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I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.
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Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.
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All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side.
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If you understand hallucination and illusion, you don't blindly follow any leader. You must know if the person is sane or insane, over the abyss.
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I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.
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When you have examined all the illusions of life and know that there isn't any reality, but you nevertheless go on, then you are a mature human being. You accept the idea that it is all mask and illusion and that people are in disguise. You see the crumbl.
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I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.
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I'm quite sure that most writers would sustain real poetry if they could, but it takes devotion and talent.
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Is it experimental to have been influenced by the Bible? By Saint Augustine?
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I've been willing to go for years without publishing. That's been my career.
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I don't believe there can be a poetic novel without political consciousness. I have a strong political conscience.
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All creatures are flawed, but out of the flaw may come the universe.
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If you know anything about James Whitcomb Riley, you know that Little Orphan Annie is one of the most fantastic characters who ever lived in America before Charlie Chaplin.
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All the books I have written have been one book, from the beginning.
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I think there is a rage against women. I've come to see that now although at the time I did not notice it. I was preoccupied with my teaching and my writing.
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I'm as much influenced by Joseph Smith and the Mormons as I am, more so, than by Eliot. Actually, I'm much more influenced by the poetry of the Mormons.