Jason Aldean Quotes
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
Quotes to Explore
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I find myself so easily discouraged. It is pathetic how easily I can be discouraged - easily discouraged by resistance, easily discouraged by opposition, easily discouraged by hardness of heart, easily discouraged by blindness.
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There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
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I think a woman gets more if she acts feminine.
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If you can get yourself where you're not afraid of dying, then you can move forward a lot faster.
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Everybody sooner or later has to drop the luggage and the baggage of illusions.
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Hey, the TV was my friend. As a child, I always said, 'I want to live in there someday.'
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I was tested against the best.
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I think theatricality is just one way of performing. I don't think it's a better way or the way, but it's my way.
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The grandeur of Jerusalem is also... its problem.
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Wouldn't it be grand if we thought that theater could have that impact on the political life of a country?
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You have to think that the answer - and the right answer - for you and your organization might not be something that's been done before. And it's up to you to discover and work with your team to form and figure out how to do successfully.
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Coming from the Midwest, I didn't know about stand-up as an art. I just thought stand-up comedians were old men in suits talking about their wives.
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Now I've been free, I know what a dreadful condition slavery is. I have seen hundreds of escaped slaves, but I never saw one who was willing to go back and be a slave.
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Oh, I have to say Romana; she was much more fun to do but I did enjoy the Princess when she was turning bad.
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I'm not more or less conscious than any other rapper out there.
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I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
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It's much like playing jazz, flying. It's multitasking in real time. You have a number of instruments that alone won't tell you exactly what the airplane is doing but together give you a picture of everything that's going on.
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I happen to think singing is hilarious, especially when it pops out at the wrong time.
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I see music as an aid. It overcomes my internal editor, especially when the music evokes the character or the mood I'm trying to build.
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I know one thing: There are a billion Islamic people in the world today, and there will be about 2 billion by the time we're dead. They're not going to give up their religion.
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We've made so much headway with storytelling - mostly on cable, let's be honest - but also on the networks and, you know, I think it's about time that the leads are women. I'm not a woman, so I'm a bit biased - I wouldn't mind if a few roles were left over for men.
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He knew that he was the stuff of which fanatics and madmen are made and that he had turned his destiny as if with his bare will. He kept himself upright on a very narrow line between madness and emptiness and when the time came for him to lose his balance he intended to lurch toward emptiness and fall on the side of his choice.
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He who never leaves his country is full of prejudices.
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That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
