Nadia Comaneci Quotes
One of the most difficult times in my life was when I escaped from Romania in November of 1989.
Quotes to Explore
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I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.
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Sometimes people can put way too much emphasis on looking 'hot' which can be stressful and put you in your head.
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I believe in the promise of America. Being a Cuban refugee, having come here when I was eight, I know that this is a shining city on the hill.
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It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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I shall have a beautiful dream tonight. I also wish everyone to have a beautiful dream.
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The great thing about America is I've never felt like an outsider. I'm just a different piece of the puzzle.
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I don't work out but generally I am fit, which is why I don't work out.
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It's incredible what happens when you explain to kids what good food is - they get so excited! They go home and tell their parents... and they're excited to cook the recipes themselves in class.
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Nobody else is stupid enough to get themselves into the straits that I get into.
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You have to relish the challenge of television.
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I think in general, lines are a bad idea. Especially if they sound like lines. Everyone's immediate reaction is to just kind of cringe a little bit.
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I need this wild life, this freedom.
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Whenever I received too much praise, it just didn't feel right to me – ever.
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At school I got teased because I was so thin and awkward-looking. But the girls on TV looked similar to me. I would say to my mum, 'The girls at school are teasing me, but I look like those girls on TV.'
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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I think every major character I've played was originally for an older woman. I have no idea what that says. I guess I'm mature for my age.
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I remember as a kid not ever wanting to have friends around to my house because it was, for want of a better description, disheveled.
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It is not true that we shall necessarily progress if our political conditions undergo a change, irrespectively of the manner in which it is brought about. If the means employed are impure, the change will not be in the direction of progress but very likely in the opposite.
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I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.
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I think that instinct, that storytelling instinct, rescued me most of my life.
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I always liked photography in film - I studied photography growing up. I like the medium of film; I like physically holding 35-mm film. I like the way it looks, the quality when it's projected. I like the way it frames real life.
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So if I have two pieces of cake, do I have twice as good an experience as the first piece of cake? One of the things I've found in life is that the first piece of cake is the best.
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One of the most difficult times in my life was when I escaped from Romania in November of 1989.
