Roberta Flack Quotes
My hope is that out of all the anger and seeming hostility that we hear in some of today's music will come some sort of coalition that will become politically involved.
Quotes to Explore
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If you're thin-skinned, you don't belong doing what I do for a living.
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I happen to miss the Constitution; I thought it was a good document.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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We got orders to strike the Marshall and Gilbert Islands. We had a task force with the Enterprise. We had two or three cruisers and probably eight or 10 destroyers.
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Remember daydreams? No, of course you don't. How could you? Three new text messages have just arrived, and another three, in a moment, will go out.
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We can see cities during the day and at night, and we can watch rivers dump sediment into the ocean, and see hurricanes form.
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The deadpan brilliance of John McCrea has been underrepresented in music since 2004, when Cake served up 'Pressure Chief.'
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I love wearing men's clothing and underwear.
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I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
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I've always used black girls on the runway, because I think they're beautiful. I don't need people to tell me, 'You need to use black girls.' I did for 20 years; it's not a new thing for me.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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The way to a man's heart is through his chest.
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One knows less about one's own destiny than about anything else on earth.
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I'm very good friends with my former coaches. We speak on the phone a lot.
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It's a very fascinating thing for an actor to play somebody who is suffering, and you have to express the suffering, but in an inarticulate way and sometimes a dysfunctional way, through violence.
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I think what was frustrating to see a lot of good people go. You don't picture it, you don't imagine it, don't think it could happen. When it does, you are puzzled.
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We all have different perspectives on the world. I'm a woman. I live in Chicago. I'm gay.
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I really think me and my family live humbly. I've secured my life, and I won't have to open the newspaper and be looking for work.
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I'm not the kind of person who ever thought, 'Oh, a one-woman show - bring it on!'
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I do what I do without hope of reward or fear of punishment. I do not require Heaven or Hell to bribe or scare me into acting decently.
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After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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My hope is that out of all the anger and seeming hostility that we hear in some of today's music will come some sort of coalition that will become politically involved.
