Adele Quotes
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I love writing songs.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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I tend to name albums after one of the songs.
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Not all those who wander are lost.
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With my songs I tried to prove that there is love.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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Every battalion has its marching songs.
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I don't have many easy songs.
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My biggest advice for girls – and this is something that I wish I could have known when I was younger – is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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A lot of my solo albums were produced by different people who had their idea of what songs I should do, and they had me doing a lot of ballads.
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I'm a lover of songs.
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We lived, ate, and breathed pop songs.
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Dad really had little to do with the songs, except to perform them.
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We've written something like 900 songs in all.
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I'd love to get to know or at least meet some of the women, such as Sheryl or Sarah. I know we won't have time to develop friendships with anyone, but I would love to get to know them.
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It's incredible when I'm out in these towns. I have people telling me they were waiting for hours just to meet me and get my autograph. I feel so guilty. I always feel like I have to give them more than just Kato Kaelin.
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Fans decide what pop culture is. We can define ourselves. Music and the presentation of art nowadays is totally in our control, with the Internet specifically. You no longer need record labels. You no longer need movie distribution companies. You can just make it and put it online, and it will distribute itself to millions of people. The borders and everything have been broken down. It really is in the hands of the people.
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Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results.
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I used to go into bars on my days off, and I decided that wasn't too good for me.
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Sometimes my songs wander off a bit and are not always coherent.
