Hannes Alfven Quotes
[Referring to the trouble he had with the peer reviewers of Anglo-American astrophysical journals because his ideas often conflicted with the generally accepted or “standard"” theories.]

Quotes to Explore
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In the case of my husband, we found that facing a life-threatening illness prodded us to make a dramatic change in our lives.
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You can't beat Freddie Mercury. He was a mad man in the best sense possible.
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He always pictured himself a libertarian, which to my way of thinking means 'I want the liberty to grow rich and you can have the liberty to starve'. It's easy to believe that no one should depend on society for help when you yourself happen not to need such help.
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In order to get the funding through for the wall, it was being held up by conservatives – or I would of thought you know sane humans – in the Senate who don’t want taxpayers like you and me paying for these lengthy transgender operations, years of therapy.
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With my fiction, I focused on chapters and overall conceptions, while in poetry, I crawled along in the trenches of each sentence, examining every word for a sign of a deeper significance.
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Over my desk hangs a poster from The Railway Children that my husband had framed for me. It is so lovely to see the children smiling as they run down the railway track.
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I thought, as a kid, that I was The Doctor's biggest fan, so my mum and dad bought me a battery-operated Dalek. I must have worn it out, I played with it so much.
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You ask my wife or my two sons, and they'll tell you that I ain't free with the money.
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I think I am naturally attracted to things that are a little bit out of this world.
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I went through a huge transition in my life where everything and everyone I knew and trusted didn't turn out to be that way.
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My whole life, I've wanted things before I was ready. I was always pushing for the next job, the next success. I was so focused on achieving and the path that I was missing some great point about life.
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My family was very supportive of my acting. They didn't really have a choice because I got jobs acting before anyone could really say anything. It paid my way through college and helped my family out.
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I admit that I'm fat.
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It's hard to take people seriously who say you're totally irresponsible if you go out and climb mountains when you have kids, because they clearly don't understand the circumstances. You can't impose your own acceptance of risk on other people - that's not fair.
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Having a strong race lens means you understand racism is threaded through and institutionalized in all of our systems and our very perceptions, threaded through how someone looks at you, treats you, thinks about you and your potential.
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Anyone playing with you is going to change where your direction is.
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I tell people, 'I have a Ph.D. from Google University.'
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Every time I think I know what's right and wrong, I end up being wrong. All I want to do is explore. I want to see what people would do. I say, 'What would this person do in this situation?' and I write it down. I'm not writing manifestos of my political views.
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I wouldn't trust a man who wouldn't try to steal a little.
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I believe that unless it's a scene where I'm alone, then of course I could do what I want but I think good acting is about what happens between people, not on your face and my face.
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And when you are foolish enough to identify yourself as a poet, your interlocutors will often ask: A PUBLISHED Poet? And when you tell them that you are, indeed, a published poet, they seem at least vaguely impressed. Why is that? Its not like they or anybody they know reads poetry journals. And yet there is something deeply right, I think, about this knee-jerk appeal to publicity. It's as if to say: Everybody can write a poem, but has your poetry, the distillation of your innermost being, been found authentic and intelligible by others? Can it circulate among persons, make of its readership, however small, a People in that sense? This accounts for the otherwise bafflingly persistent association of Poetry and fame - baffling since no poets are famous among the general population. To demand proof of fame is to demand proof that your songs made it back intact from the dream in the stable to the social world of the fire, that your song is at once utterly specific to you and exemplary for others.
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The best thing about wearing black is that you can hide pretty easily, unless you're in like Hawaii, then you can't hide.
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[Referring to the trouble he had with the peer reviewers of Anglo-American astrophysical journals because his ideas often conflicted with the generally accepted or “standard"” theories.]