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I think it all comes back to being very selfish as an artist. I mean, I really do just write and record what interests me and I do approach the stage shows in much the same way.
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I'm in awe of the universe, but I don't necessarily believe there's an intelligence or agent behind it. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance. The incense is powerful and provocative, whether Buddhist or Catholic.
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I guess, people like myself and Roxy Music that had a different agenda about taking up music.
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If I wasn't going through a thing where I was also being my characters offstage, uh, I'm much happier just wearing the most low-profile things that I can come up with just so I can get down the street.
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In order to look special wearing the chancy unique; it must be worn with your persona, and if the two don't blend, then the look becomes pear-shaped.
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My mother was a housewife. Both from - well, my father was from a farming family, agricultural family in the north of England. And my mother came from a very working class.
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There's something about the style of living in the country that they feel, "This is what represents me." So style is about the philosophy of how we create our civilization.
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And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
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I think it's rather a waste of time endlessly singing the same songs every night for a year, and it's just not what I want to do.
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1961 was when I was really into clothes. I left school at 15 and started copying a bloke who used to go up on the train to London with me; Leslie, I think his name was. He was like, top mod of his own area. He wore Italian jackets with white linen jeans. Boy, was that cool! I mean, that's in style now - it's very much the L.A. look. But he was wearing it then, and it looked supercool.
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In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
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If we could be heroes, if just for one day.
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I never could get over the fact that The Pixies formed, worked and separated without America taking them to its heart or even recognizing their existence for the most part.
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I could never have done what I did without being involved with Lindsay Kemp's company.
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You go through stages where you wonder whether you are Christ, or just looking for him.
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I have a very strong paternal streak. I'm a born father...I get such enjoyment out of being with children. Now they are enjoyable little things. They really are. I like their kind of humor. You can stuff all your punk bands, give me three children instead.
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Sweet head, give you sweet head.
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Heathenism is a state of mind. You can take it that I'm referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any Gods presence in his life. He is the 21st century man.
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I think that we have created a new kind of person in a way. We have created a child who will be so exposed to the media that he will be lost to his parents by the time he is 12.
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The younger people get into the lyrics in a different way; there's much more of a tactile understanding, which is the way I prefer it.
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I just put drugs down to luck. I persevere quite honestly, and I've got a fair amount of discipline that keeps me out of deep water.
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Wham, bam, thank you Ma'am.
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However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.
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If it works, it's out of date.