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I believe that I often bring out the best in somebody's talents.
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The people who don't know so much about me regard me more sexually.
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I feel that what I do is always contemporary with the society I'm living in... If I wanted to explain myself, that's how I'd explain myself: that I'm a diarist.
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You go through stages where you wonder whether you are Christ, or just looking for him.
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One day in Berlin ... Eno came running in and said, 'I have heard the sound of the future.' ... he puts on 'I Feel Love', by Donna Summer ... He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.' Which was more or less right.
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I think it all comes back to being very selfish as an artist. I mean, I really do just write and record what interests me and I do approach the stage shows in much the same way.
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If I wasn't going through a thing where I was also being my characters offstage, uh, I'm much happier just wearing the most low-profile things that I can come up with just so I can get down the street.
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If you want it, boys, get it here, thing.
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I just put drugs down to luck. I persevere quite honestly, and I've got a fair amount of discipline that keeps me out of deep water.
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Heathenism is a state of mind. You can take it that I'm referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any Gods presence in his life. He is the 21st century man.
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For here, am I sitting in a tin can, far above the world. Planet Earth is blue, and there's nothing I can do... Though I'm past one hundred thousand miles, I'm feeling very still - and I think my spaceship knows which way to go. Tell my wife I love her very much.
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It's almost a social grace to get into the art world, and I'm very wary of it. Art was good in Berlin in the late '70s - there was a lot more guts to art when the Neo-Expressionists were starting up; it was real slapdash; it has real heart to it - but it seems so cold and heartless in America. It's a buyer's market.
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Who'll love Aladdin Sane? Battle cries and champagne just in time for sunrise.
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If I hadn't had my children, I would have been discouraged a lot quicker. It would have been much more easy for me to say, "You know what, let the whole thing go. Have a good time, because these people, this place - it's just not worth it." You know? I can't do that anymore. I look into those eyes and they look at me so trustingly that I'm gonna make sure that [they're thinking], "Hey, you did a good thing bringing me into the world, daddy. I'm going to have a great life!"
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People will keep the TV on even if a show is on that they hate - because, unfortunately, they've been programmed to do that.
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At no point did I ever doubt I would be as near as anybody could be to England's Elvis Presley. Even from eight or nine years old, I thought, Well, I'll be the greatest rock star in England. I just made up my mind.
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I'm drawn between the light and dark.
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I think that we have created a new kind of person in a way. We have created a child who will be so exposed to the media that he will be lost to his parents by the time he is 12.
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1961 was when I was really into clothes. I left school at 15 and started copying a bloke who used to go up on the train to London with me; Leslie, I think his name was. He was like, top mod of his own area. He wore Italian jackets with white linen jeans. Boy, was that cool! I mean, that's in style now - it's very much the L.A. look. But he was wearing it then, and it looked supercool.
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I'll ruin everything you are, I'll give you television.
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Nothing prepared me for your smile
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TV has eaten up everything else, and Warhol films are all that are left, which is fabulous. Pork could become the next I Love Lucy, the great American domestic comedy. It's about how people really live, not like Lucy, who never touched dishwater. It's about people living and hustling to survive.
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I could never have done what I did without being involved with Lindsay Kemp's company.
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Fame, what you like is in the Limo. Fame, what you get is no tomorrow.