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Never bored, so I'll never get old
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There have been times when I've written something and it goes out and it comes back in a letter from some kid as to what they think about it and I've taken their analysis to heart so much that I have taken up his thing. Writing what my audience is telling me to write.
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I'm not a natural performer. I don't like performing very much.
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I think Mick Jagger would be astounded and amazed if he realized that to many people he is not a sex symbol, but a mother image.
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Trying to tart the rock business up a bit is getting nearer to what the kids themselves are like, because what I find, if you want to talk in the terms of rock, a lot depends on sensationalism and the kids are a lot more sensational than the stars themselves.
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To be taken seriously about doing something creative and probably travel a lot. That was my motivation. I knew I was good, I knew I could write. I also knew you could get laid really easily.
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Strangely, some songs you really don't want to write.
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I want people to hear musicians like Joe Cuba. He has done things to whole masses of Puerto Rican people. The music is fantastic and important.
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Style is about the choices you make to create the aspects of civilization that you wish to uphold. I will buy a chair for my house. What style of chair are you gonna buy? Everything we look at and choose is some way of expressing how we want to be perceived. I mean, why bother choosing a chair because it looks a certain way? Because there's gonna be something about that chair that says something about you.
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It's much easier for me to say that, the kind of music I didn't listen to was pretty much that. I mean everything, from jazz to classical to popular. And Tibetan horns were a great part of it in 1966, '67.
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My mother was a housewife. Both from - well, my father was from a farming family, agricultural family in the north of England. And my mother came from a very working class.
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However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.
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Capitalism can be alright, I mean Karl Marx didn't live to see what Roosevelt did with that Depression. He pulled everybody out of that Depression and everybody hated Franklin Roosevelt. He got into office four times. One after the other, with everybody saying, he can't get in again. Everybody voted for Roosevelt four times and he did a hell of a lot.
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My particular thing is discovering what can be done with media and how it can be used. You can't draw people together like one big huge family, people don't want that. They want isolation or a tribal thing.
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Tony Visconti and I had been wanting to work together again for a few years now. Both of us had fairly large commitments and for a long time we couldn't see a space in which we could get anything together.
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There's something about the style of living in the country that they feel, "This is what represents me." So style is about the philosophy of how we create our civilization.
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It's not the side effects of the cocaine. . . . I'm thinking that it must be love.
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I'm in awe of the universe, but I don't necessarily believe there's an intelligence or agent behind it. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance. The incense is powerful and provocative, whether Buddhist or Catholic.
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And I think my spaceship knows which way to go.
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Songwriting as an art is a bit archaic now. Just writing a song is not good enough.
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Some people are marching together and some on their own. Others are running, the smaller ones crawl. But some sit in silence.
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When you think about it, Adolf Hitler was the first pop star.
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Time may change me, but I can't trace time.
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We could steal time, just for one day We can be Heroes, for ever and ever What d'you say?