Sia (Sia Kate Isobelle Furler) Quotes
Quotes to Explore
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We are the only ones who really can care about the preservation Foreigners who come to excavate, maybe some of them care about preservation, but the majority care about discoveries.
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The Romantics were whipping boys of the New Criticism, but they appealed to me anyway. I was recalcitrant. It was clear to me that they had thought innovatively.
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I don't write listening to music, and in a way it seems silly that any writer should have to explain why not, as it's possibly no different from saying you don't eat gourmet dinners or play tennis while you're at the keyboard.
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I definitely grew up as a small-town... I guess you could call it the 'small-town football player,' according to the stereotype. I wasn't involved in music at all.
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I am in that glorious position where I can redesign and re-package my own work.
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The lurking suspicion that something could be simplified is the world's richest source of rewarding challenges.
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I never studied anything about film technique in school. Eventually, I realized that cinema and theater are not so different: from the gut to the heart to the head of a character is the same journey for both.
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Therefore, you are not training young people for the world of today and the world of tomorrow unless you are doing proven technology training. That is one of the reasons I'm so concerned.
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When the soul, through its own fault... becomes rooted in a pool of pitch-black, evil smelling water, it produces nothing but misery and filth.
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I once tried thinking for an entire day, but I found it less valuable than one moment of study.
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You do not need a therapist if you own a motorcycle, any kind of motorcycle!
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I've never changed my life since I was 4 and went to the YMCA with a gym bag. I still have that philosophy. In fact, I still have that gym bag.
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When restraint and courtesy are added to strength, the latter becomes irresistible.
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As a result, the highly civilized man can endure incomparably more than the savage, whether of moral or physical strain. Being better able to control himself under all circumstances, he has a great advantage over the savage.
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The end of poetry is not to create a physical condition which shall give pleasure to the mind... The end of poetry is not an after-effect, not a pleasurable memory of itself, but an immediate, constant and even unpleasant insistence upon itself.
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My earlier exposure to physics certainly helped me in the use of biophysical techniques like crystallography, the use of computing, calculations, etc.
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This whole idea that we address environmental issues by not doing stuff just doesn't work.
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My view is that while you do occasionally have differences you ought to have a process where you can sit down and talk about things. How else do you solve problems?
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I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. ... I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.
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That's what sets apart one actor from another, and that you can't teach. You can't give someone that. When you're working, putting a character together, or in a scene, that's where things will happen that you have to have the intuition to notice them, and to register them.
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I wouldn't not want to be a director and write as I wouldn't not to want to be a writer and direct movies.
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Left Behind takes what to some people may be unbelievable predictions from the Bible and shows how they might play out. It makes the events of biblical prophecy understandable and thus believable.
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I can't tell you how many times I get into a taxicab in New York or Los Angeles, and I'm talking to somebody who is a recent immigrant who was a doctor or lawyer or engineer or professor in the country they just came from. They're starting over again in life, and I think the majority of people out there can relate to that.
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I got a little bit famous. I didn't like it.
