Billie Joe Armstrong Quotes
I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.
Quotes to Explore
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If I really believe that visual representation and narrative are ways to convey important, complex ideas, and if the world is gravitating toward this form, then geez, I better do it myself. I want to do it myself.
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It was really in the Golden Age, between the two world wars, when the pure detective story - of which the locked room mystery is really the ultimate form - became popular.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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I grew up in different parts of Africa. I grew up in Mozambique and places like that. I've been in South Africa many times.
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At this point, American workers are pretty respectful of the bosses they loathe.
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I didn't like the idea of being foolish, but I learned pretty soon that it was essential to fail and be foolish.
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Everyone at a party is uncomfortable. Knowing that makes me more comfortable.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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Insanity - a perfectly rational adjustment to an insane world.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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The world is the best of all possible worlds, and everything in it is a necessary evil.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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The gift I have to give to my fellow countrymen and people around the world, the facts are the Muslim community are our gift. They are the fabric of what makes America great.
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I have had enough of the sexist treatment of Sarah Palin... I call upon the McCain campaign to stop treating Sarah Palin like she is a delicate flower who will wilt at any moment.
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Songs like Reach and S Club Party are pop classics. I'm really proud that I had a part in them.
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I pretty much move around wherever I like.
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I have great sympathy with America. It's very, it's very tough to be the only remaining superpower in the world.
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In Tehran, the 444 days of the Iran Hostage Crisis was the first world event in which you could literally have live events beamed into your living room. Now, every world event plays out on its own, and as a media event.
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The group-effort sound in recording of 'Sea Lion' is like, you really hear all the people in the room and hear them interlocking. There's a real freight-train energy of all these people at the same time playing.
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What's funny is my mom took me to the theater for the first time when I was six years old, and I was just amazed by it. I just said, 'Hey Mom, can I do this too?' And so she signed me up for little theater classes, and I remember my first audition for a play when I was seven years old was for 'The Thankful Elf.'
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I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.
