The Weeknd (Abel Makkonen Tesfaye) Quotes
'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
Quotes to Explore
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Most actors can't make any kind of living.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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You know, I've had an incredible career and I'm blessed.
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Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money.
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I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
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I've always had great faith in the Man Upstairs.
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I just come from a school where you have to win something to be accepted.
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I use Graf Edmonton for boots and John Wilson blades.
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When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him.
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I've always been drawn to the idea that small choices in our lives could have drastic effects on our future.
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I read 'The Shining' before I ever saw the movie, when I was maybe 12.
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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I love doing improv. I love comedy. I have always felt this way, even when I was really young.
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At the time, when you're being dissected and judged it's pretty brutal, but in hindsight it's great and - it sounds cliched - you do come out the other side better and stronger.
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2005 was a great year for me for fantastic roles that nobody saw.
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The British tend to shy away from the spotlight. We don't like being singled out in any way, and I think that is something which is important for me to learn to do.
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In a liquid modern life there are no permanent bonds, and any that we take up for a time must be tied loosely so that they can be untied again, as quickly and as effortlessly as possible, when circumstances change - as they surely will in our liquid modern society, over and over again.
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I don't think I ever really knew the right words to 'Hava Nagilah,' which isn't great for a Jewish singer.
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Hottest space that I think is interesting would be education, particularly, like, ages 3-10.
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Nobody likes to be picked on. Nobody.
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It would be naïve to imagine that any analysis of experience is dependent on pattern expressed in language. Any concept, whether or not it forms part of the system of grammatical categories, can be conveyed in any language. If a notion is lacking in a given series, it implies a different configuration and not a lack of expressive power.
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My sense of style is influenced by how I feel. I want to express myself because they see you before they hear you. You want to come on stage, and what you look like should represent the song you are playing or the set you are about to play or the message in your music.
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From my perspective, 'postmodernism' merely names an interesting set of developments in the social order that is based on the presumption that God does not matter.
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'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
