The Weeknd (Abel Makkonen Tesfaye) Quotes
'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
Quotes to Explore
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Most actors can't make any kind of living.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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You know, I've had an incredible career and I'm blessed.
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Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money.
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I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
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I've always had great faith in the Man Upstairs.
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I just come from a school where you have to win something to be accepted.
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I use Graf Edmonton for boots and John Wilson blades.
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When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him.
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I've always been drawn to the idea that small choices in our lives could have drastic effects on our future.
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I read 'The Shining' before I ever saw the movie, when I was maybe 12.
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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I love doing improv. I love comedy. I have always felt this way, even when I was really young.
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At the time, when you're being dissected and judged it's pretty brutal, but in hindsight it's great and - it sounds cliched - you do come out the other side better and stronger.
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2005 was a great year for me for fantastic roles that nobody saw.
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The British tend to shy away from the spotlight. We don't like being singled out in any way, and I think that is something which is important for me to learn to do.
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In a liquid modern life there are no permanent bonds, and any that we take up for a time must be tied loosely so that they can be untied again, as quickly and as effortlessly as possible, when circumstances change - as they surely will in our liquid modern society, over and over again.
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I don't think I ever really knew the right words to 'Hava Nagilah,' which isn't great for a Jewish singer.
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I had a great grandmother who believed in so many strange superstitions. She used to tell the future from the things that catch on to the hem of your skirt when you've been sewing, and different colored threads would mean different things... Of course, all that influenced me quite a lot as a child.
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It's funny, I used to say on 'That 70's Show', you could really put us in any decade, and it was about the people and the characters and that we cared about each other.
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I always wanted to be a blonde, and it was really cool to do that for a while.
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I never quit. The times when I have quit in the past because I couldn't face trying harder have stayed with me, and the guilt is not worth it.
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I have become a fatalist in life, so I don't try to set goals.
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'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
