The Weeknd (Abel Makkonen Tesfaye) Quotes
'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
Quotes to Explore
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Most actors can't make any kind of living.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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You know, I've had an incredible career and I'm blessed.
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Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money.
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I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
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I've always had great faith in the Man Upstairs.
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I just come from a school where you have to win something to be accepted.
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I use Graf Edmonton for boots and John Wilson blades.
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When an individual is protesting society's refusal to acknowledge his dignity as a human being, his very act of protest confers dignity on him.
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I've always been drawn to the idea that small choices in our lives could have drastic effects on our future.
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I read 'The Shining' before I ever saw the movie, when I was maybe 12.
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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I love doing improv. I love comedy. I have always felt this way, even when I was really young.
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At the time, when you're being dissected and judged it's pretty brutal, but in hindsight it's great and - it sounds cliched - you do come out the other side better and stronger.
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2005 was a great year for me for fantastic roles that nobody saw.
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The British tend to shy away from the spotlight. We don't like being singled out in any way, and I think that is something which is important for me to learn to do.
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In a liquid modern life there are no permanent bonds, and any that we take up for a time must be tied loosely so that they can be untied again, as quickly and as effortlessly as possible, when circumstances change - as they surely will in our liquid modern society, over and over again.
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I don't think I ever really knew the right words to 'Hava Nagilah,' which isn't great for a Jewish singer.
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I don't see any significant recession or depression in the offing.
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Women in salsa - women everywhere - we always gotta be defending ourselves.
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I've always thought of modeling as a performance, so I don't mind kind of pretending. I kind of pretend in a lot of my poses that I am a ballerina or a hip-hop dancer or a grunge performer.
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I grew up around writers, and there was always a romance to them. They were charming. They would tell their stories of what they were working on, over the table.
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You know, somebody mentioned that I was sort of a jazz-pop singer. And I'm thrilled that somebody would find that, at last, in my presentation, because it's such a part of where I live.
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'House of Balloons' was special because I had no deadlines, and nobody knew me, so there were no expectations. Spent a year making it perfect. Every song had at least, like, 7 different versions to them before picking the right one.
