Billy Gibbons Quotes
Quotes to Explore
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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Good comedy is ageless.
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Toronto Film Festival is one of those festivals where there are 400 movies, and unless you have a distributor who is super confident and puts a lot of money into it, sometimes movies can go unwatched or unnoticed.
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Comedians have to write to survive because you don't get cast for your beauty.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.
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There are certainly talented instrumentalists coming from India. I see them performing all over the world.
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Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
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Let your watchword be order and your beacon beauty.
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My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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I should have a better CV, and that's knocked me into believing that I have to grab these opportunities while I can.
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I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
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I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that.
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What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
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Modern politics today requires a mastery of television. I've never really warmed up to television and, in fairness to television, it's never warmed up to me.
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What a waste it is to lose one's mind. Or not to have a mind is being very wasteful. How true that is.
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The salesman knows nothing of what he is selling save that he is charging a great deal too much for it.
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He wasn't directing it, of course, so I didn't work with Hitchcock.
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When a voice behind me whispered low,'That fellow's got to swing.'
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Maybe there should be less of a mystique around making movies. I just don't think that there's any real mystery there.
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They did some things early on in there that threw us some curve balls. On defense, they did a real good coaching job on that part. We had to kind of struggle to get things going again, but we did control the ball, which is a big deal.
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White is hands down my favorite color and the color I wear the most.
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It's a real uphill challenge to battle the white-guyness.
