Billy Gibbons Quotes
Quotes to Explore
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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Good comedy is ageless.
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Toronto Film Festival is one of those festivals where there are 400 movies, and unless you have a distributor who is super confident and puts a lot of money into it, sometimes movies can go unwatched or unnoticed.
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Comedians have to write to survive because you don't get cast for your beauty.
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There needs to be a place in the church or just outside - there needs to be a place where people feel free to ask questions without being put upon, where they feel free to ask difficult, challenging questions to voice their skepticism.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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Every child should at least grow up in family rather than without one.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.
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There are certainly talented instrumentalists coming from India. I see them performing all over the world.
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Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
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Let your watchword be order and your beacon beauty.
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My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
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When I was seventeen, I worked as a counsellor at a co-ed sleep-away camp for eight weeks. I loved it but it could be harrowing - it was far too much responsibility for someone my age.
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I should have a better CV, and that's knocked me into believing that I have to grab these opportunities while I can.
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I remember my dreams when I was a junior soloist. 'Oh, I hope I don't end here,' I thought. 'I want to do the ballerina in 'Scotch Symphony.' I don't want to be the little Scotch girl.' And I actually went beyond my wildest dreams. I worked with Balanchine. I had ballets choreographed for me.
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I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that.
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Know your worth! People always act like they're doing more for you than you're doing for them.
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What I love about Tadashi is that he isn't a designer that designs only for a double-zero. He designs for double-Ds, you know? Women of all shapes and sizes can wear him.
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I can't believe I've turned into a typical old man.
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Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
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It's a real comfort zone for me to feel alien.
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I'm trying to do something that is real. What I mean is this; my sense of being in the world starts with a physical relationship with my surroundings, their weight, texture, density, transparency, and so forth.
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It's a real uphill challenge to battle the white-guyness.
