Yotam Ottolenghi Quotes
Quotes to Explore
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Wikipedia is kind of extreme, where a very, very small group of people contribute pretty much everything.
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That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.
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Be passionate. Be courageous. Be your best.
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Obviously, it gave me a chance to see Barcelona. I won't deny that. But I also had a chance to see something in another country in terms of recycling and reusing nuclear material.
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Customers want new things, and the way that they get them isn't written in stone.
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The situation is quite serious - groundwater is important source for water use, including drinking water, and if it gets contaminated, it's very costly and difficult to clean.
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It would be nice to be on the charts again, nice to be recognised.
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I never thought of Kim Basinger in terms of age. For me she embodies woman with her subtleties and intricacies. She's sensual and intellectually engaging, elegant with a very strong personal style.
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There's a smartphone gait: the slow sidewalk weave that comes from being lost in conversation rather than looking where you're going.
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I will be up at 8 A.M. making spaghetti bolognese for Peter and Sophia's evening meal if I'm working that day. I may not get back for the evening, and I worry if I don't do that, then they won't eat anything.
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I used to visit London when I was younger with my family. I feel very close to the city.
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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Well, where there is freedom doubt itself must be free.
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It's enough to make a small shift within and a small action in the world. Collectively these have a huge effect.
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If you want to put out a million CDs and sell them and get them played on the radio, and even videos, or whatever, if that still exists, that kind of muscle can only come from a label like Columbia.
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I think that music and visual arts can complement themselves nicely. They do different things - the music forces you into a different mood and perspective whilst the visual stuff can engage you in a more direct cognitive manner.
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I think the process is one of using the camera and sound in the way a detective uses a magnifying glass: to find the clues. They're discovery devices, not performance devices - you're watching things the way a cat does. You're not judging. You're there to witness something.
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Boys are so much less mature than girls as it is.
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I try to make myself, and subsequently the audience, as uncomfortable as possible, whether it's completely desecrating a song they thought was one thing, or getting too drunk to really do a very good job.
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The road system that we've come to depend on, the road system that we built our wealth on and our power on, is falling apart.
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There's something particular about the way Los Angeles feels in the summertime. It slows down and is hazy and dreamy, and you can put on certain music and go for a drive and be totally sober but feel stoned.
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Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
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I think there are all kinds of aspects to reality, to domestic reality, and why don't we just talk about them all?
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If you can't taste an ingredient, you have to ask yourself why it is there.
