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It's a losing proposition, but one you can't refuse. It's the politics of contraband, it's the smuggler's blues.
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I think that's a powerful thing, to be able to engage your audience and let them put some of themselves into the music.
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Our lives are changing, this old world keeps turning. And I sit here and wonder, baby, what we're really learning.
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The last two years with the Eagles were pretty intense times. There was a lot of drinking and we were all getting high a lot. My parents were relieved when I got off the Eagles treadmill.
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If you get a chance to be in a film, that's great. One of my goals is to make a record as good as Don Henley's album, Building the Perfect Beast.
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Hey, I didn't make a big deal out of Hotel California. The 18 million people that bought it did.
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People don't run out of dreams - people just run out of time.
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Some people, they just don't get a joke.
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If the Eagles were to get back together, it would have to be for the right reasons. I think it would look awful if it were just for the money.
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Nobody told Don Henley or me that we were going to make it as solo artists, but I can speak for Don when I say that we are both really happy now that the band is not together.
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Hey, a woman changed her mind - what else is new?
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Without a reunion, the Eagles are forever young, like James Dean.
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If you're writing songs by yourself, who's going to tell you if it's good or not? But if you're writing songs with somebody else, you get that immediate feedback.
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It seems when I put together records, as Henley used to say, they're just like movies. They should have action, tension, love scenes, places to relax.