Tom Scholz Quotes
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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Nobody is gonna love you like you. You're gonna be your best salesman.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
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I want to know that I gave my 100 percent, and even if it doesn't work, you know that you gave everything, and you don't have to look at it and say... I could have gave more - that would break my heart.
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I want to work with different people, and I would like to work in different places.
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The toxic effect of carbon monoxide on man has nothing to do with inhibition of cellular respiration by carbon monoxide but is based on the reaction of carbon monoxide with blood iron.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I love being a mom. But there's a certain kind of tedium to your life when your kid is young. Writing allows you to wander when your kid is napping in a crib ten feet away. So that's the great joy of writing fiction for me.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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I thought writing about somebody current would be a little closer to what I'm used to doing.
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I work hard and support myself.
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Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
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I much prefer touring to anything else. Studio work is great, and can be hugely satisfying, but live work has the excitement and the lifestyle that I love.
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My life is not that glamorous. I actually live a pretty simple life, really. I just work. I don't have time to do all these glamorous things. I just do my thing, just work.
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My body's feeling it a little bit. But one good thing, my back is in good shape, and that's my main concern. I know that my legs are going to take awhile to get back to where I was a few years ago, but as long as my back is solid, I feel that I can play many years.
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I don't know what gives me more pleasure: watching my story unfold or going in and watching a room full of black people talking for me and writing words for black people.
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I never did a convention before I did 'The Hobbit.'
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My parents had a difficult divorce. My dad had to take a backseat for a few years, and my grandfather came in. He was also my inspiration for becoming an actor. I really respected him.
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I learned something important in my race against Senator Brown: voters want political leaders who are willing to break the partisan gridlock. They want fewer closed-door roadblocks and more public votes on legislation that could improve their lives.
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The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
