Erykah Badu (Erica Abi Wrigh) Quotes
I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.

Quotes to Explore
-
Now I'm back home, living in London, running my theater. I just want to enjoy all that.
-
Any form of art is political if you make it that way.
-
For about 175,000 people, Chiranjeevi Blood Bank has supplied blood for free in times of emergency. This is because of the service-oriented attitude of Mega fans.
-
I am now in a position to choose roles. I did not have so many offers before 'Queen,' but now things have changed a lot.
-
In my industry, it's important to have people I look to for different things: guidance, inspiration and motivation.
-
I think that I am seeing the Internet and seeing technology take and seeing how the work I do through music directly affects people's lives better than any politician I've ever met.
-
You have to be brave when you've got a kid.
-
We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
-
You need to have people within your own party that have the wherewithal to stand up to you.
-
Whether it comes from a despotic sovereign or an elected president, from a murderous general or a beloved leader, I see power as an inhuman and hateful phenomenon.
-
All I remember is the last time I played a videogame, it was Space Invaders.
-
I'm not one icon. I'm every icon. I'm an icon that is made out of all the colors on the palette at every time. I have no restrictions. No restrictions.
-
I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
-
I think Gore does have to worry. He is tied to Bill Clinton. We know that there were telephone calls that he made from his office. We know that there were visits to the Buddhist temple.
-
We may be in a tough time right now, but when we are in a tough time is when our movement gets really strong.
-
I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.
-
The progress of an artist is a continual self-sacrifice, a continual extinction of personality.
-
Pigeons are among the most maligned urban wildlife despite the fact that human beings brought them to our shores and turned them loose in our cities - not something that they chose.
-
I've always loved silent movies. I recently saw 'Tilly's Punctured Romance' at the Academy, which is the first comedy made with Charlie Chaplin in 1914, and I sat there, and I couldn't believe that the entire audience of 2,000 people were laughing that hard from a movie made in 1914 - and there were no words; it was all faces.
-
Large organizations cannot be versatile. A large organization is effective through its mass rather than through its agility. Fleas can jump many times their own height, but not an elephant.
-
The two things that got everyone's attention about the 'House of Cards' deal was the two-season commitment and David Fincher. After David Fincher directs a series for Netflix, no one else can say, 'Well, I'm not going to direct a series for the Internet.'
-
Positive thinking is the notion that if you think good thoughts, things will work out well. Optimism is the feeling of thinking things will be well and be hopeful.
-
Oh, come off it,” said Ron, striding over to her and whipping her results out of her hand. “Yep— ten ‘Outstandings’ and one ‘Exceeds Expectations’ at Defense Against the Dark Arts.” He looked down at her, half-amused, half-exasperated. “You’re actually disappointed, aren’t you?
-
I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.