Peter Gabriel Quotes
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I really wanted the first record to be different from what I'd done with Genesis, so we were trying to do things in different styles.
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There has always been a strong relationship between music and religion. It is because they both plug directly into the heart and can have real power for good or evil.
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Music is a spiritual doorway. ... Its power comes from the fact that It plugs directly into the soul.
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I hold the line, the line of strength that pulls me from the fear.
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Climbing up on Solsbury Hill I could see the city light Wind was blowing, time stood still Eagle flew out of the night He was something to observe Came in close, I heard a voice Standing stretching every nerve I had to listen, had no choice
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As we become so visible in the digital world and leave an endless trail of data behind us, exactly who has our data and what they do with it becomes increasingly important.
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When I left Genesis, I just wanted to be out of the music business. I felt like I was just in the machinery. We knew what we were going to be doing in 18 months or two years ahead. I just did not enjoy that.
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With the man in the woman, and the woman in the man. In the blood of Eden lie the woman and the man.
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If we grab technology and adapt it and make it work for us, it will work in one way, whereas if we just leave it, it will stay in the hands of big corporations and governments, who have other agendas.
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I'm trying to enlarge what I do with my voice, not through technique but just through the sounds. I think we all make noises, and particularly when we get involved or emotional about something, the colors and the tones of those noises change.
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Holding still for a moment, what a moment this is, Oh for a moment of forgetting, a moment of bliss
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One doubt, one voice, one war, one truth, one dream.
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I've talked to a lot of artists - painters, writers, musicians - many of whom have had great ideas on trains. The only explanation I have is all that stuff is coming at you while you're relaxed, so somehow it kicks you into hyperspace in terms of brain function.
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I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
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A record for us that sells 50,000 is a good record, and 100,000 is a serious hit.
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Words, they climb all over you/'Til they uncover you From where you hide.
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It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
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I love 5.1. Sometimes you can't squeeze everything in comfortably into a stereo picture. There is a lot more space in a 5.1 environment.
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I was introduced to lots of great music through my local record store. It was a place where people knew music and they knew me, and could make great suggestions and discoveries. Whether it is in the physical world or on-line, the value of a great and knowledgeable record store has not gone away
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I think another thing is that we don't really want exclusivity. We accept that it is in the artist's interest to be on sale in every place where they sell music.
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There's a Slow Food movement. I think I'm part of the Slow Music movement.
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Letting go, it's so hard The way it's hurting now To get this love untied So tough to stay with this thing 'cos if I follow through I face what I denied I'll get those hooks out of me And I'll take out the hooks that I sunk deep in your side Kill that fear of emptiness, that loneliness I hide.
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I didn't leave the band to go solo so much as to stop feeling like a production item.
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You have independent films and independent music, but you don't have independent theme parks - I think, in a way, Burning Man is as close, probably, as you get.