Anne-Marie Quotes
I was doing musical theatre 'til I was, like, 17, and then I started realising I could use my voice in a more, like, current way.
Quotes to Explore
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We will always make music, but Die Antwoord is... finite.
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I remember the moon landings, and Apollo was the paradigm by which all progress was measured at that time. And I knew that creating a true space-faring civilization was both possible and practical. What I failed to realize was that the effort would fail due to bureaucratic inertia and political apathy.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I wanted to go to college and play football.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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When I get into the studio, I write from my heart.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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There is no ideal body. It's just taking what you have and working it.
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I never wanted to be a millionaire. I just wanted to live like one.
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I've decided to run for the U.S. Senate because I believe Wisconsin families need a senator who will work hard to deliver results for the middle class - a leader with the courage to do what's right, no matter how tough the odds or how powerful the special interests we have to fight.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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I love India.
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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It's never my intent to be controversial but I don't shy away from it.
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My style is an extension of acting and an outcome of some serious lessons I picked up learning when I did theatre in my early days.
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I started out producing theatre in New York.
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Tax what you burn not what you earn.
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Webern was a kind of 'Kamchatka of music,' an unknown country of music. That's true; for me and people of my generation, he was a radical - you couldn't be more radical than he was.
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I was doing musical theatre 'til I was, like, 17, and then I started realising I could use my voice in a more, like, current way.
