Jill Scott Quotes
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I am a huge Prince fan. It's a very rare thing for him to have people open for him. It's been the Time and Sheila E., and that's about it. Building a relationship with him has been like a dream come true. I've been looking for a mentor, and I feel like I have that in him.
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I was once making a burger for myself at my boyfriend's house and a lyric started pouring out and I had to catch it, so I ran to another room to write it down, but then the kitchen caught fire. His cabinets were charred, and he was furious. But it was worth it for a song.
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Soul music is about longevity and reaching and touching people on a human level - and that's never going to get lost.
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Once I started looking for a record deal, I had a trainer. And the trainer told me that I would never sell a record if I didn't lose weight.
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A nutritionist has told me to have very little butter and very little spices, but I can't live like that.
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When I get onstage, I automatically feel beautiful.
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I truly loved being pregnant and feeling what was going on inside my body and watching it change. It's difficult to recoup, but still amazing nonetheless. I would have another one.
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I'm a world-class people watcher. I like to watch people's body movements, their expressions. It says so much about them.
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I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
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Heartbreak was the impetus to me writing poems and music in the first place.
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Lately I've been going to all these high schools talking to the students, answering their questions, listening to what they have to say. It has been an incredible journey to be around them and try to give them what my mother gave me.
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I'm the girl that waits for the director to say, 'I like that,' or 'Can you boost it up?,' or 'Can you pull it down?' I'm that kind of actor. I started in theater, so that's the feedback that I'm accustomed to. It's the feedback that I really thrive off of.
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I defy any woman who is pregnant and trying to concentrate really hard not to feel distracted.
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Being on set is a hard thing. A lot of people are like, 'Oh, you get to make a movie, and it's all fun.' But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
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I was conceived after doctors told my mother she'd never have children. I'm a miracle - we all are.
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Back in my mid-20s I was told I'd never be able to have children as I wasn't having periods. Doctors tried to start up my monthly cycles, but when nothing worked, they actually offered me a hysterectomy. Without it, they said I might get ovarian cancer in the future. I chose not to have the operation, and am so glad I didn't.
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A lot of the girls I grew up with were pregnant by the time they were 16. I just was lucky.
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I'd love to work with Missy Elliott. I'd love to work with Bonnie Raitt. I'd love, love, love to work with Barbra Streisand. I'm reaching, because why not? You don't know what's going to happen in this life.
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Common is one of the nicest people I've ever met, and to describe him as a vile rapper because he has an opinion... just says a lot about the state of America. You are allowed to have an opinion in the United States - he's never harmed anybody, he just has an opinion about a president that wasn't good for our country.
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When I was 12, I wrote a list of things to do before I died. 'Own a Picasso' was one of those things.
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I didn't leave home until 27. I was an only child raised in Philadelphia by my mother and grandmother. My grandmother controlled the stove. She made a lot of potato meals - mashed potato, potato souffle, potato pancakes. When we didn't have electricity, we ate romantically by candlelight.
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There are a lot of difficulties with people trying to conceive.
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When I was growing up, my mother would take me to plays and museums, and we'd talk about life. Those times helped shape who I became.
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When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.