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Heartbreak was the impetus to me writing poems and music in the first place.
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I am a huge Prince fan. It's a very rare thing for him to have people open for him. It's been the Time and Sheila E., and that's about it. Building a relationship with him has been like a dream come true. I've been looking for a mentor, and I feel like I have that in him.
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I'm a world-class people watcher. I like to watch people's body movements, their expressions. It says so much about them.
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Lately I've been going to all these high schools talking to the students, answering their questions, listening to what they have to say. It has been an incredible journey to be around them and try to give them what my mother gave me.
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I was once making a burger for myself at my boyfriend's house and a lyric started pouring out and I had to catch it, so I ran to another room to write it down, but then the kitchen caught fire. His cabinets were charred, and he was furious. But it was worth it for a song.
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I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
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I defy any woman who is pregnant and trying to concentrate really hard not to feel distracted.
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I'm the girl that waits for the director to say, 'I like that,' or 'Can you boost it up?,' or 'Can you pull it down?' I'm that kind of actor. I started in theater, so that's the feedback that I'm accustomed to. It's the feedback that I really thrive off of.
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There's a high school in Camden, New Jersey, I call the Jill Scott School. It's the Camden Creative Arts High School. Those teachers and kids are so passionate about what they do, and 98 percent of the senior class went on to college.
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Being on set is a hard thing. A lot of people are like, 'Oh, you get to make a movie, and it's all fun.' But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.
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I was conceived after doctors told my mother she'd never have children. I'm a miracle - we all are.
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I'd love to work with Missy Elliott. I'd love to work with Bonnie Raitt. I'd love, love, love to work with Barbra Streisand. I'm reaching, because why not? You don't know what's going to happen in this life.
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I didn't leave home until 27. I was an only child raised in Philadelphia by my mother and grandmother. My grandmother controlled the stove. She made a lot of potato meals - mashed potato, potato souffle, potato pancakes. When we didn't have electricity, we ate romantically by candlelight.
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A lot of the girls I grew up with were pregnant by the time they were 16. I just was lucky.
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When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.
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There are a lot of difficulties with people trying to conceive.
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When I was 12, I wrote a list of things to do before I died. 'Own a Picasso' was one of those things.
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For my writing, and because I love talking to young women about life, I often asked them which would they rather have - a father in the house with them while growing up or a big butt? I tell you 86 percent of the time, girls say a big butt because it gets them further.
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When I was growing up, my mother would take me to plays and museums, and we'd talk about life. Those times helped shape who I became.
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When you get a jean for a larger girl, you have to have them tailored for you. Tailoring is indeed everything.
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Common is one of the nicest people I've ever met, and to describe him as a vile rapper because he has an opinion... just says a lot about the state of America. You are allowed to have an opinion in the United States - he's never harmed anybody, he just has an opinion about a president that wasn't good for our country.
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I need to find creative diversity because if I get stuck, I get unhappy.
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If you can't help me grow, there's no point with you being in my life.
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Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.