Nanna Bryndís Hilmarsdóttir Quotes
I have learned this because I always take off my shoes on planes and then am horrified, doing a tip toe dance in the bathroom

Quotes to Explore
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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Appropriate assessments are a crucial part of effectively educating students. But they only measure a narrow segment of what kids need to learn.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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Listening to music is such an uplifting, spiritual thing. It's far-fetched to some - I understand that. But the way dance music brings people together, it's not a big stretch from hymns.
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I think it's a lot harder for the pros to have a long career in ice dance and in pairs. It seems the singles have a little bit of a longer career.
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A woman can never have enough shoes.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.
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Rock was always part of my heart and soul. But the times just changed and everybody wanted to dance.
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I never went to drama school, but I did learn a couple of things along the way.
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I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
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Learn to say no in situations where saying no can be difficult, where it could mean getting fired. Say no anyway, because it could lead you to greater opportunities.
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I'll tell you one thing you can't do: you can't put your shoes on, then your socks on.
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I never put on a pair of shoes until I've worn them at least five years.
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I've never made any effort to hide what happened. I served my time, I've tried to learn and move on.
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It's definitely important to have your mom and family there to back you up and cheering from the stands. You'd love them to come to every big dance and every big game, but sometimes that's not possible.
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The cure for sorrow is to learn something.
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Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.
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I have two favorite songs. My first is called 'Dance of The Robe' and it's a very powerful number where she is feeling the pressure from her people to take on the responsibility of leading them.
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Dances have a second and third life. You feel they are never ready. They always have a chance for another life.
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Narrativity presumes a special taste for plot. And this taste for plot was always very present in the Anglo-Saxon countries and that explains their high quality of detective novels.
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Do you know what a soldier is, young man? He's the chap who makes it possible for civilised folk to despise war.
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I have learned this because I always take off my shoes on planes and then am horrified, doing a tip toe dance in the bathroom