Niall Horan Quotes
We're never going to escape the idea of being young. Which I don't mind myself. I mean, who wants to grow up anyway?
Quotes to Explore
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I was a go-go dancer at the Dom on East 10th Street in NYC. This was a glittering ballroom over Stanley's Bar. 1965.
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Change will not come from above, it will come from below, from the small and medium size businesspeople. They do dare to show their faces. They applaud us and help us financially.
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I was always going to be a dancer - I drifted into acting.
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After the revolution, it might very well remain necessary to place people where they could not do harm to others. But the one under restraint should be cut off from the rest of society as little as possible.
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There are many cultural prejudices. For instance, even though fresh fish is a regional staple, Catalans don't like sashimi.
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I find it really hard to relate to the Bond women or Angelina Jolie in 'Salt.' And of course it's informed by my experiences and the people I've met along the way and the places I've been.
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I'd probably put myself in the top 1% in knowledge of blight in the city of Detroit.
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I don't sleep. I hate those little slices of death.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I make a lot of soups, and I love stews. My mother's a big foodie. She went to culinary school in New Orleans and has an oyster-artichoke soup recipe that has no cream in it but it tastes so creamy.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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If people don't like me for whatever I do, for being me, then that's too bad. I don't want to change to be something that I'm not for other people to like me.
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I believe in censorship. I made a fortune out of it.
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We suffered a terrible blow on 11 September 2001. We responded with fear and anger. A fight-or-flight response is adaptive in any species. For us, given our power, fight was the only response we could imagine.
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Companies often visit my office, or invite me to theirs, to brief me on new products, Web sites, or software before they are released - usually a few weeks or days ahead of time. I don't review most of these products.
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We have lost a lot of ground to the extremists in the Middle East.
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The office of the president is the most powerful in the world. It is also, at times, the most powerless.
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I think the best movie ever made was 'Dumbo.'
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I want to see as many black professionals as possible.
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All I need is a camera and I'll make things happen.
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Originally I studied as a musician, a classical pianist. That was my career before I took up acting in my late 20s.
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We're never going to escape the idea of being young. Which I don't mind myself. I mean, who wants to grow up anyway?
