Kelsea Ballerini Quotes
Quotes to Explore
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And although I've been very fortunate in the film work that's come my way, I need to get back to the stage. If I'm away for a maximum of two years, I feel something's wrong.
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Being on your own would be sad, sick and weird. I don't trust myself. I need that balance.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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I think the best president - because he changed the whole mood of the country, the whole economy of the country, and stood up to Communism... that was continuing its causes around the world, and backed them off and caused them to collapse - and that was Ronald Reagan.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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People think, 'Jack, you do too much.'
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As an actor, you don't want to play a one-dimensional character.
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The idea that modernisation makes for enhanced national power and rapid progress and helps everyone achieve greater happiness has its origins in the astonishing political, economic and military successes of western Europe in the 19th century.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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The history of all previous societies has been the history of class struggles.
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It's important for people to understand where things come or what they represent.
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We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drawn with a thinner, simpler line, eventually leaving out most visual information and becoming a gesture, a skeletal representation of a thing.
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I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
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I love the produce section at the grocery store.
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I'm having a vacation, and it's so beautiful, and maybe I'll never get another film idea in my life.
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Although I come from a family who are Muslim - my mother is Egyptian, my father is Palestinian - my mother only puts a veil on her head when she has a bad hair day.
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Our experience of many life circumstances is a function of our personal perspective and not the circumstance itself.
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We're all capable of mistakes, but I do not care to enlighten you on the mistakes we may or may not have made.
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It's the idea that we as people can control our own destinies. The government and the corporations, more even than the government, can't dictate what artwork we're supposed to like or what comedy we're supposed to laugh at.
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We live in an age of music for people who don't like music. The record industry discovered some time ago that there aren't that many people who actually like music. For a lot of people, music's annoying, or at the very least they don't need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.
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Life in the Middle East is quite different from other places.
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I just want to make the best music I can make.
