Keren Woodward Quotes
We lived at the Sex Pistols' house because we were asked to vacate our room at the YWCA for 'keeping late hours.'
Quotes to Explore
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I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
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I had a monumental idea this morning, but I didn't like it.
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There's a lot of activism that doesn't deal with empowerment, and you have to empower yourself in order to be relevant to any type of struggle.
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Real Texans want their kids to have the best education possible, not the one politicians looking to brag about budget cuts have left us with.
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Most of the cast and crew on 'Mama's Family' have been together since the 'Carol Burnett' days, so we work really well together. It's like I'm being paid to pretend I'm in show business.
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Mike Schur knows exactly what everything should look like but, at the same time, is super collaborative and loves working with actors that make choices and bring stuff to the table.
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That's the mantra I use when the team tells me something is too complicated. People keep saying, 'We need more prioritization.' I say, 'Guys, what you want is less work. And that is not going to happen.'
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And also I assert our interest in respecting all our obligations and implementing all our commitments. And will save no effort whatever to protect this newborn opportunity of peace, that is provided through what we have already declared here today.
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I'm never gonna change the skin, right? I'm very proud of what it implies and what it has meant to me... but then again, in Congress, I hope to make my mark as a colleague and as a leader.
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If movies are causing moral decay, then crime ought to be going up, but crime is going down.
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After so many books and so many years of writing, I have a good idea of my strengths and weaknesses. I love the process of writing and, if I allowed myself, I would write far too much every day. One weakness which I've struggled to overcome is my tendency to having my characters ruminate for pages.
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When I left French 'Vogue,' New York welcomed me with a big, big hug.
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I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
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Each man has an equal social right to multiply his power of motion by all the social factors of civilization. Private property in any of these factors is inconsistent with this fundamental right; it must, obviously, prove a source of economic despotism and industrial slavery.
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The understanding of art depends finally upon one's willingness to extend one's humanity and one's knowledge of human life.
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Eccentricity has never been discouraged in our family.
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Basically the school system sets you up with what it wants to set you up with. They're really good at it. I think they're too good. Problem is, what they're doing is conditioning kids to merely accept the culture at hand. But the rebels won't accept it.
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It is important to distinguish between the power of the Internet to make the great change it can, and the limits and vulnerabilities of that change without real-time political mobilization deployed globally to protect those who venture out, especially in closed societies, into the heady new vistas it offers.
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I'm definitely low maintenance, but I do have a lot of massages, and I have this girl who comes to my house to do my nails. My friends will come over ,and we'll all get our nails done or have waxes.
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If the house is to be demolished tomorrow anyhow, people seem to feel, we may as well burn the furniture today. None of our problems are insoluble...But it seems clear that to prevail we humans will have to act with a smartness and selflessness that has so far eluded us during our long and tangled history.
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For four years, my mum allowed only church music in the house.
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Poets in our civilization, as it exists at present, must be difficult...The poet must become more and more comprehensive, more allusive, more indirect, in order to force, to dislocate if necessary, language into its meaning.
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We lived at the Sex Pistols' house because we were asked to vacate our room at the YWCA for 'keeping late hours.'
