Vik Muniz Quotes
I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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I really think it is possible to make a very nice living by writing and not worrying about anything else.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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If you write a novel alone you sit and you weave a little narrative. And it's O.K., but it's of no account.
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Just be honest with yourself. That opens the door.
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Corruption, the greatest single bane of our society today.
Olusegun Obasanjo
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You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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I don't putt face-on exclusively, but in the back on my mind I'm haunted by the notion that I'm sure it's the best way to putt.
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So if Arizona sees the federal government isn't assuming its responsibilities, it creates local laws. But migration and keeping security on the borders is not a local or state issue, it's a federal issue.
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My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment.
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There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
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I don't believe I could work as effectively at what I do without the support of my wife.
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I get a lot of disbelief that my accent could actually be real, which seems strange.
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I think it's certainly natural to try new things as you grow up and get older!
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I sort of mind living in a time when most of the literature is terribly personal. I suppose it's because I grew up on a love of history, philosophy, science and religion, but not to think too much about yourself.
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I was in Paris, Milan and London from '89 until '91, and I did mostly runway modeling. I know there's so many people out there looking for pictures, but this was way before the age of the Internet, sorry!
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The familiar trope of the woman in peril doesn't really interest me.
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Poor people have more fun than rich people, they say; and I notice it's the rich people who keep saying it.
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I like using traditional beliefs in my fantasies, even though I always end up warping them to suit my purpose: it somehow makes everything feel more 'solid' if it's got a long history behind it.
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I demo all of my songs on Garage Band, where I pretty much play everything - not very well, but I manage to hammer out a drum beat and a bass idea.
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North Carolina is strong because our people are strong. They define our state - by their hard work, commitment to their families and neighbors, their willingness to sacrifice so that their children can have a chance to forge their own path.
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But most commonly, it's one poem that I work on with a lot of intensity.
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I always quit at three when my kids come home from school so I feel pretty spoiled.
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I was born in Brazil and grew up in the '70s under a climate of political distress, and I was forced to learn to communicate in a very specific way - in a sort of a semiotic black market. You couldn't really say what you wanted to say; you had to invent ways of doing it. You didn't trust information very much.
