Elle King (Tanner Elle Schneider) Quotes
I grew up loving Etta James and Aretha Franklin and Al Green and Otis Redding, and I just love old-school R&B. It's just music that moves you and grooves you, and it was very important, I think, for music.
Quotes to Explore
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In reality, throughout your career, you have to make yourself interesting enough for people to be waiting to see your films. In my case, people are longing to see what I come out with next. That's my success.
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Spare no expense to save money on this one.
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I don't think I have a signature.
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I've always enjoyed the teen angst thing. I had a lot of teen angst as I was growing up, so I think I have a lot to say about it through characters before I have to move on.
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I am also a drummer of sorts. I've got an electronic set sitting in my bedroom.
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Just as water is a key ingredient to growth on the farm, capital is required for businesses to thrive.
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It really is no different in the way that we make records and shoot music videos. I don't think of the movie as being a great leap out of my current profession.
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Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
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It is not surprising, then, that in the decade since Oslo began, Arafat used all the resources placed at his disposal to fan the flames of hatred against Israel.
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I do strongly identify with being Jewish. I was raised Orthodox and had a childhood complicated by the fact that my father was deeply religious and my mother was not.
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I really, really love Daniel Craig as Bond.
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When I was a kid, I was super shy.
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What we cannot deny is that there's an association between exclusion, segregation, non-violent extremist thinking, and jihadism.
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I love ensemble work. I love making pieces and building things together.
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Small lending institutions lack the capability of their larger counterparts to hire the additional manpower necessary to deal with the hundreds of additional regulations created by Dodd-Frank.
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The first epics were intended for recitation; the literary epic is meant to be read.
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I think it's interesting: What is the generational effect of the experience of being a gay person in America? For my generation, it was very difficult.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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I thought the musical aspect of 'Freak Dance' was a good contrast to how dancers always try to come off as really tough in those movies - they're trying to literally come off as gangs like as if the Crips and the Bloods are also dancing in addition or instead of fighting with guns and knives and stuff.
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I'm amazed if people are happy in their own skin.
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While all the pomp and circumstance of war animated others, it only saddened me; and all of past reflection, all of future dread, made the whole grandeur of the martial scene, and all the delusive seduction of martial music, fill my eyes frequently with tears.
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People are dying in vain because this country isn't holding their end of the bargain up as far as, you know, giving freedom and justice and liberty to everybody.
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My parents brought us up in a very clever way, which was that they saw what we were interested in naturally, and then they encouraged whatever that may be. When I started sharing a keen interest in drama and the theater, instead of steering me away from it, they encouraged me to see plays and think about drama school.
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I grew up loving Etta James and Aretha Franklin and Al Green and Otis Redding, and I just love old-school R&B. It's just music that moves you and grooves you, and it was very important, I think, for music.
