Bennett Miller Quotes
You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
Quotes to Explore
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I've leased the apartment; my partner is going to come out here. But we're keeping our house in Chicago because real estate is a really good investment and also because it is just crammed with full of stuff!
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At a very young age I was allowed to go into the cinema and watch adult films.
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When I was in the running for the role of Elphaba, I knew it was important to research and study as much background information as I could, so I got my head stuck into 'Wicked: The Life and Times of the Wicked Witch of the West' by Gregory Maguire, and I believe I lost many days, weeks, and months reading it - I was captivated!
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I think the key for any kind of artist - and this transcends music - is a certain degree of authenticity and sincerity.
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Being grown up and in a serious relationship, I've learned so much. I'm happier than I've every been.
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An unlimited America was the vision for the nation set forth by our Founding Fathers. It is the vision enshrined in those two great charters of freedom: our Declaration of Independence and our Constitution. Many of America's most intractable problems stem from the fact that we have strayed from that vision - and lost direction.
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Don't let the fear of the time it will take to accomplish something stand in the way of your doing it. The time will pass anyway; we might just as well put that passing time to the best possible use.
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My parents wanted us to be well-rounded individuals and really have the American experiences as richly as one can.
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I don't want to be an action star; action star's life is so short. I want my life to get longer. I want my career to get longer.
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Bruckner's Eighth is a colossus.
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Well, it was one of my most gratifying experiences because I could devote my knowledge and my talent for the good for the City of Washington, and all the Federal projects where the Fine Arts Commission had jurisdiction, and it was a tremendous experience.
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I've gone to school for business, for design, for architecture.
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I write 1,000-1,500 words. The next day, I rewrite it and add 1,000-1,500 words to the end of it.
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I used to find great difficulty in drawing feet.
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I was fortunate to have teachers that were flexible with allowing me to miss more class than I was supposed to be able to, for the sake of being able to tour.
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The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
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Anybody who has interacted with me will definitely find me to be a chirpy person.
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Everything I do is a reflection of the duality within me. Musically, I really love things that are very synthetic and unnatural. And I also like the organic and human... the intrinsic, I guess.
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When it starts to seem like you have popped into bed with a specific party, it makes it difficult for people to believe you are not doing someone else's bidding for them.
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Movies are somewhat diminished by blockbusters, which are great, but there's not enough choice.
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There are always challenges to green screen.
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A man is educated and turned out to work. But a woman is educated and turned out to grass.
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It is, then, by those shadows of the hoary Past and their fantastic silhouettes on the external screen of every religion and philosophy, that we can, by checking them as we go along, and comparing them, trace out finally the body that produced them.
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You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
