Benjamin David Goodman (Benny Goodman) Quotes
Quotes to Explore
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I think people come and go, 'I'm going to find the real Gary. What is it... the real Gary? I've got to find it.' But the thing is, it's pretty much what you see is what you get. I'm just like this. There's no hidden viciousness.
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I don't know what's with me and the 'of God' shows. It's hard to tweet about, because I guess 'God' triggers some kind of filter.
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I firmly believe that one of the best kept secrets to soft and glowing skin is moisturisation.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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A little and a little, collected together, becomes a great deal; the heap in the barn consists of single grains, and drop and drop make the inundation.
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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I don't think I can play Mr. Bachchan.
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A lot can be said with just a look, or the way the body moves. Each song is a different character. So each song takes on a different movement of the body. And the body has to go with the subject and the attitude that you have toward that subject.
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As an actor, you don't want to play a one-dimensional character.
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I think you grow wherever God plants you. I hope I'm growing as a person of faith, as a Christian. That should be our number one objective this journey of life. That all starts with a personal intimate relationship with Christ and then being in prayer every single day about all of those things - being tenacious about it.
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I was the first one to allow a projectile to come off of the stage and into the audience. And I kind of take responsibility for the mosh pit.
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I really trust Susan Stroman. I really think she knows what she's doing. I really trust Andrew Lippa and John August. I think they have proven themselves over and over again and know what to do, and they have the big picture in mind.
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One knows less about one's own destiny than about anything else on earth.
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Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
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For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.
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I'm very passionate about art, music, drawing, acting, so I'd like to have the chance to get the larger choice regarding acting.
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All of us in the modern world are constructing our identities, largely through social media, for a larger audience.
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If a guy's got it, let him give it. I'm selling music, not prejudice.
