Benjamin David Goodman (Benny Goodman) Quotes
Quotes to Explore
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I think people come and go, 'I'm going to find the real Gary. What is it... the real Gary? I've got to find it.' But the thing is, it's pretty much what you see is what you get. I'm just like this. There's no hidden viciousness.
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I don't know what's with me and the 'of God' shows. It's hard to tweet about, because I guess 'God' triggers some kind of filter.
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I firmly believe that one of the best kept secrets to soft and glowing skin is moisturisation.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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A little and a little, collected together, becomes a great deal; the heap in the barn consists of single grains, and drop and drop make the inundation.
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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I don't think I can play Mr. Bachchan.
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A lot can be said with just a look, or the way the body moves. Each song is a different character. So each song takes on a different movement of the body. And the body has to go with the subject and the attitude that you have toward that subject.
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As an actor, you don't want to play a one-dimensional character.
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I think you grow wherever God plants you. I hope I'm growing as a person of faith, as a Christian. That should be our number one objective this journey of life. That all starts with a personal intimate relationship with Christ and then being in prayer every single day about all of those things - being tenacious about it.
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I was the first one to allow a projectile to come off of the stage and into the audience. And I kind of take responsibility for the mosh pit.
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I really trust Susan Stroman. I really think she knows what she's doing. I really trust Andrew Lippa and John August. I think they have proven themselves over and over again and know what to do, and they have the big picture in mind.
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One knows less about one's own destiny than about anything else on earth.
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There are those people that eat to live and those that live to eat. I am of the latter, as many of you already know. To me, eating is an adventure.
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Nobody has money right now. And eating is very important, but it doesn't need to be expensive. And to make - it doesn't need to be fancy, as long as it's fresh and simple. The simpler it is, the more fancy it actually comes out tasting.
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Solange's new album, 'A Seat at the Table', is so many things at once: an antidote to hate, a celebration of blackness, an expression of the right to feel it all. After a move to Louisiana and period of self-reflection, the artist joined forces with a range of collaborators to put her new discoveries to music.
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All Prodigy music is raw, and that will never change, the production is raw, the sounds are dirty, you can't get away from that. Take it or leave it.
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If a guy's got it, let him give it. I'm selling music, not prejudice.
