Benjamin David Goodman (Benny Goodman) Quotes
Quotes to Explore
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I think people come and go, 'I'm going to find the real Gary. What is it... the real Gary? I've got to find it.' But the thing is, it's pretty much what you see is what you get. I'm just like this. There's no hidden viciousness.
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I don't know what's with me and the 'of God' shows. It's hard to tweet about, because I guess 'God' triggers some kind of filter.
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I firmly believe that one of the best kept secrets to soft and glowing skin is moisturisation.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man.
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Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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I say the law should be blind to race, gender and sexual orientation, just as it claims to be blind to wealth and power. There should be no specially protected groups of any kind, except for children, the severely disabled and the elderly, whose physical frailty demands society's care.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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I don't think I can play Mr. Bachchan.
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As an actor, you don't want to play a one-dimensional character.
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I think you grow wherever God plants you. I hope I'm growing as a person of faith, as a Christian. That should be our number one objective this journey of life. That all starts with a personal intimate relationship with Christ and then being in prayer every single day about all of those things - being tenacious about it.
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I was the first one to allow a projectile to come off of the stage and into the audience. And I kind of take responsibility for the mosh pit.
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I really trust Susan Stroman. I really think she knows what she's doing. I really trust Andrew Lippa and John August. I think they have proven themselves over and over again and know what to do, and they have the big picture in mind.
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One knows less about one's own destiny than about anything else on earth.
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There are those people that eat to live and those that live to eat. I am of the latter, as many of you already know. To me, eating is an adventure.
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I don't think of myself as a role model. I do try to live in a compassionate, considerate and positive way. The only advice I can offer is to find what you love to do, find the joy in it, and express yourself through your passion.
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If I weren't involved with food, I'd be working in architecture. Design is that critical to me.
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You remind me of Hubert Humphrey. You talk too much
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What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times - as a black man in the American streets. I know what it feels like to walk through the streets, knowing what it is to be in this body and how certain people respond to that body.
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He wanted to appear suddenly to her in novel and heroic colors. He wanted to stir her from that casualness she showed toward everything except herself.
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I was grateful to have two weeks to shoot this one scene in Harry Potter. It's a big, big scene, but they have to deliver. And they have high expectations.
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If a guy's got it, let him give it. I'm selling music, not prejudice.
