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I have seen soldiers panic at the first sight of battle, and a squire pulling arrows from his body to fight and save his dying horse. Nobility is not a birthright, but is defined by one's actions.
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Here's the thing - the accent is cool. It's like a girl with big breasts - they get your attention first.
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I believe in the soul ... the small of a woman's back, the hanging curveball, high fiber, good scotch, that the novels of Susan Sontag are self-indulgent, overrated crap. I believe Lee Harvey Oswald acted alone. I believe there ought to be a constitutional amendment outlawing Astroturf and the designated hitter. I believe in the sweet spot, soft-core pornography, opening your presents Christmas morning rather than Christmas Eve, and I believe in long, slow, deep, soft, wet kisses that last three days.
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If it's fifty years from now and it still has the same value, that's a movie.
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We recognize ourselves in Westerns, ... I believe the Western can orchestrate moments around reality. The reality can be as entertaining to us as the lie.
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You can be as you choose to be. It's an act of discipline sometimes, but it can be done.
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I'm a 'what if' person. I have always felt that failure was a completely underrated experience. I have taken blows. I have had high moments. But I don't think the blows have ever hardened me. My enthusiasms are still big.
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There's actually a big difference between story and character. A great story doesn't make a great movie. A great script, which defines its moments and characters can become a great movie. You can make a movie that makes a lot of money and it may or may not have great story or great characters.
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I think I just wanted to work when I finally came to Hollywood. That's what it was. I wanted to get a job, and then I wanted to get the second one.
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It's such a cool thing in life to get what it is you want. Most of the time we don't, but occasionally we do.
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Audiences trust Westerns when you hit the right tone. I think they're not in vogue, but they will always be in vogue when you hit the right note.
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I've always been distracted when somebody is coming after me and saying, "You're the only person who can play this part."
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I think if you want to make a good sports movie, you've got to cut down on the sports. You have to make it about people. You can't try to impress people with your knowledge and the X and O's and all the details and the technicalities.
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Some people come to you because if you're in their movie, it'll help them raise money. And some people come to you because they think you're the person to play the part.
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Real heroes are men who fall and fail and are flawed, but win out in the end because they've stayed true to their ideals and beliefs and commitments.
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The kind of love that these young men have and the respect that they have for their fathers, I don't see that as much in America as you see in the Latino community, and it's really something to behold.
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I think one of the first things to go as people's lives start to go down is their dreams. Dreams should be the last thing to go - dreams are the things you go down with. If you're left clinging to a piece of driftwood in the middle of the ocean, I'd put on it the word dreams.
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I've always felt that failure was a completely underrated experience.
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Sometimes we worry about the things that you know that matter the least and don't focus on the things that matter the most.
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My whole life has been instinctual for me. I wouldn't do well in the computer world.
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I'm not defining my band by other people's music, but by my own.
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I like being around people that mean what they say.
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I have a tremendous belief in people, not that people don't let me down, not that I haven't maybe let some people down. But I have a tremendous belief in people and in the common experience.
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Broken people say awful things and do incredibly absurd things.