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I'm glad movies aren't going to please everybody, they can't. But what they have to be is recognisable. I don't equate myself with a master painter, but I think you can recognise my films.
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When a defining moment comes along, you define the moment, or the moment defines you.
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What is it you want? That's a question that we all get posed sometimes internally and sometimes externally.
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I've been able to do a lot of things in the movies. I've been able to run with the buffalo, you know. I've been able to pitch a perfect game in Yankee Stadium. I've been in the bathtub with Susan Sarandon. I've had a lot of chances to do a lot of things. I enjoy sports, but I enjoy sports so much to the point that I wouldn't do the movie unless I thought it had a chance to be good.
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I'd like to put on buckskins and a ponytail and go underwater with a reed, hiding from the Indians... To me, that's sexy!
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There's nothing more noble than a father and mother making an opportunity for their child, knowing that their life is gonna be hard. There's something incredibly heroic about that.
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I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
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I've never changed my approach to acting. I've always felt like I've gotten better. I think that all of us can get better. I feel like, in my acting, I'm better than I was three pictures ago. I think about it. I'm a slow study. It takes me a long time to grasp the material, in order to perform it. But when I come to the set, on the first day, I know the whole movie. That's why I have to start early.
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I don't think I ever take huge risks, though I'm not scared of doing so.
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My whole life has been instinctual for me. I wouldn't do well in the computer world. My children look at me for a question and then they quickly look away because they know that I'm not going to know how to make Super Mario or do anything.
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It sounds vain, but I could probably make a difference for almost everyone I ever met if I chose to involve myself with them either professionally or personally.
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One person doesn't have to shoulder all the responsibility for why a film does or doesn't do well.
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There are a lot of things that come to bear on movies now that I don't think are good for movies. They're trying to appeal to the biggest demographic and, when they do that, you sometimes flatten out.
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I can't say I really see much difference between my son and daughters except that my girls will occasionally make me a sandwich and my son won't.
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I'm a big fan of dreams. Unfortunately, dreams are our first casualty in life - people seem to give them up, quicker than anything, for a 'reality.'
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Westerns aren't about the gunfight, even though it has to be there at one point. It's not what they're about, at least the good ones. It's about the drama. It's about the resourcefulness of men and women.
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I believe in long, slow, deep, soft, wet kisses that last three days.
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I'm getting those familiar feelings, and I'm just going to enjoy the process of getting to know someone again.
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Here's the thing - the accent is cool. It's like a girl with big breasts - they get your attention first.
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We really don't rest if we think our kids are drifting, or if we think they don't have the right work ethic. It drives us crazy. Because we ultimately want them to succeed and, until they do, we feel in some way that something is not complete.
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You have to try to dismiss the loudness of cynicism. It's certainly going to come.
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I want to be a part of something, and when we define movies now based on how they do on the weekend. We live in a society of "thumbs up, thumbs down."
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I don't read as much as I'd like. I've been writing a lot. I've been doing a lot of music, but I don't read as much as I should. I just don't.
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It's never bothered me to work hard. I've probably worked on some of the longest schedules in movie history.