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I'm a pretty convenient foil for a lot of people.
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I've been around where I knew other actors were going to steal the scene, and I don't compete with them.
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I enjoy sports. I get a real joy from playing sports but I don't look for those movies. Oliver Stone wanted to know if I would do Any Given Sunday and it just didn't appeal to me.
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In America, politicians do whatever to get re-elected, and a lot of decisions that were being made at that time by Kennedy were certain not to get him re-elected.
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I would hate to see a UFO. Because it would ruin my life. I would have to talk about it the rest of my life, and everybody in the room would go, "Poor Kevin." Because you could not turn your back on the idea that you saw it.
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I wanted very much to do Traffic and at one point it looked like I was going to work on it. And then, of course, Catherine Zeta-Jones had her relationship with Michael Douglas and it suddenly didn't happen.
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I dream of big things. I work for the small things. If you're going to dream, you might as well dream big. A lot of that came from my mother. She was adamant about the work ethic---about how you can't just dream things.
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I was in the show for 21 days once-the 21 greatest days of my life. You know, you never handle your luggage in the show, somebody else carries your bags. It was great. You hit white balls for batting practice, the ballparks are like cathedrals, the hotels all have room service, and the women all have long legs and brains.
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I work for the public, for the people who are paying to go to the cinema, rather than for the critics.
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What is it you want? That's a question that we all get posed sometimes internally and sometimes externally.
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If you're going to tear down a hero, you should never forget that you're tearing down someone else's hero. You're tearing down somebody else's son. You might have to face her one day.
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When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
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I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
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I was sucked into this vortex of a very conservative upbringing.
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You have to decide if you're going to wilt like a daisy or if you're just going to go forward and live the life that you've been granted.
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I like when my face tingles, when the hair on the back of my neck stands up.
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I don't think I ever take huge risks, though I'm not scared of doing so.
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I want to live forever, and I know I won't. I'm not afraid of dying. I'm only afraid of one thing: not being able to raise my kids.
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I'm glad movies aren't going to please everybody, they can't. But what they have to be is recognisable. I don't equate myself with a master painter, but I think you can recognise my films.
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You just do the things that you love and see if other people can like them too.
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I think that you try to raise the bar on whatever you do because you know, in this day of having to deal with a lot of reality TV, people say that scripted programming is dying, so you have to try to create something that can live in people's minds, long after they see it.
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I'm a big fan of dreams. Unfortunately, dreams are our first casualty in life - people seem to give them up, quicker than anything, for a 'reality.'
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Sometimes it takes a partner to say, "What is it you want?" because I think we operate in life and sometimes we don't know. We're all in some kind of maze going after the cheese at the end, and we get it and we go, "What is it that we want?"
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I'd like to put on buckskins and a ponytail and go underwater with a reed, hiding from the Indians... To me, that's sexy!