Adlai E. Stevenson Quotes
We travel together, passengers on a little spaceship, dependent on its vulnerable reserves of air and soil, all committed, for our safety, to its security and peace. Preserved from annihilation only by the care, the work and the love we give our fragile craft.
Quotes to Explore
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For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't.
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You think about taking audiences on a journey.
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It was very difficult when I was trying to figure out how to have a marriage and babies and do this at the same time. There was no handbook. You were making it up as you went along.
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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I do think that 'Pretty Little Liars' has raised the bar in how social media can tie into the fan base watching the show.
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There are some movies you do for the character; there are some movies you do for the people.
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If my child had prejudice in his head, I'd be ashamed. I would see it as my failure as a parent.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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It's all part of my journey - I've done a lot of stupid things, but you learn by your mistakes.
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People in their 70s can still have incredible lives. Health is the most important thing.
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Some people feel that what we're doing makes no sense, that it's just a waste of money. But it's working.
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There's a generative material relationship between the material and the image that comes up.
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You are where you are today because you have chosen to be there.
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You can't be around Oprah and not have her influence you, and I don't mean that because she's doling out the free advice. I mean it because she is someone that leads with truth and follows her heart. She's a force.
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The most important thing for me is to walk the little alleys of the city, to find the little alcove where someone is cooking something, and just watch them do it. That's my idea of fun.
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I go back and forth between indie and studio because I feel like it, not because I feel obligated to do one or the other.
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I just came back from my hometown, making a movie about a kid who grew up just like me, and it was financed by white people in New York. Personally, I can't be angry. In my personal experience, the support was there.
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Love is dangerous; it's not something to be trifled with. As good as it feels on the way in, it feels that much worse on the way out.
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When I was nine, we moved to Stanford University in San Francisco so that my father could do a Ph.D. I went to Terman Junior High in Palo Alto. It was terrible, because my hormones were all over the place, and I became an ugly adolescent full of rage and loathing.
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I admire American literature, both contemporary and classic - 'Moby-Dick' is just about the best book in the world - and I admire British literature for its insistence on dealing with social class. It may have been an influence.
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There are two main methodologies of open source development. There's the Apache model, which is design by committee - great for things like web servers. Then you have the benevolent dictator model. That's what Ubuntu is doing, with Mark Shuttleworth.
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I have my own voice and can focus only on that. I know what I like; I find my inspirations in so many other places than just online and bring that into my work.
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I think, as a woman, you do sort of have to work twice as hard, but I don't feel as if I wasn't given opportunities.
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We travel together, passengers on a little spaceship, dependent on its vulnerable reserves of air and soil, all committed, for our safety, to its security and peace. Preserved from annihilation only by the care, the work and the love we give our fragile craft.
