Adnan Sami Quotes
When my first album came out, it wasn't Bollywood. The love that I received from people was everything, and it still is everything for me.
Quotes to Explore
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I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
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If you want to cultivate a habit, do it without any reservation, till it is firmly established. Until it is so confirmed, until it becomes a part of your character, let there be no exception, no relaxation of effort.
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We're all basically made of the same stuff: generosity and selfishness, goodness and greed.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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I've got quite a good poker face. I'm known for being able to keep my emotions very much in check: no one knows how I'm feeling. I can be winning or losing but keep it very much the same.
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We're going to create a portable handheld environment, and you should expect the same things you've always expected from Playstation - a great quality product, versatility, great value to the consumer.
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There's no greater feeling in the world than when you can put a smile on somebody's face just by walking into a room. It's unbelievable. And if I have that power, who am I to waste it, you know?
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A lot of hard work goes into making a film. It's not all fun time, as people tend to think. There are always stereotypes attached to every profession, but I found out this industry breaks them all.
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The thing about being a mystery writer, what marks a mystery writer out from a chick lit author or historical fiction writer, is that you always find a mystery in every situation.
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I was very skinny, braces; so I never thought I would be a model.
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Some cause happiness wherever they go; others whenever they go.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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So I felt, well, I'll make the money and, with the money, do what I want to do.
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Proust is a huge author for me.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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I'm gonna sing, and I'm going to make me a lot of money.
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The weekend after 'Kimmy' started streaming on Netflix, I did notice a definite difference in people on the street recognizing you. I think that's such a strange thing to happen. It's like, you asked for it, you went and put yourself in the public eye, so don't be surprised people recognize you, but that part can be strange.
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You can never have too many friends.
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What interests me in [Lincoln in the Bardo] is a slight perverse balance between the sublime and the grotesque. Like you could have landed only on the sublime. But my argument is that the sublime couldn't exist without this other half.
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I'm fighting for people who cannot wait for changes, and I'm not making promises that I cannot keep.
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One's real life is so often the life that one does not lead.
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When my first album came out, it wasn't Bollywood. The love that I received from people was everything, and it still is everything for me.
