Adoniram Judson Quotes
Missionaries must not calculate on the least comfort but what they find in one another and their work.
Quotes to Explore
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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I accepted the interviews and encounters that had to be held with the media, but I would have preferred to work in peace.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
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How do you deal with a criminal that will not listen to what you have to say and who continues his policy of violence? Some say you continue to talk and let him tire himself out. But nearly 40 years after the institution of apartheid, is there anyone who still believes that verbal persuasion will work?
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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It's surreal to think that I own this beautiful island. It doesn't feel like anyone can own Lanai. What it feels like to me is this really cool 21st-century engineering project, where I get to work with the people of Lanai to create a prosperous and sustainable Eden in the Pacific.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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The nature of the Catilinarian conspiracy was bad and bloody.
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I work with the Humane Society a lot and have three rescue cats.
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Liberal judges tend to be expansive about things like equal protection, while conservatives read more into ones like 'the right to bear arms.'
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Character is the indelible mark that determines the only true value of all people and all their work.
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When I became a mother of two, I decided to work with brands that remind me of family because they're my No. 1 priority. Now I'm partnering with Puffs to encourage people to get out and not hibernate inside. People should enjoy the holiday season, and if you do have a runny nose or the sniffles, Puffs is there to take care of your symptoms.
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I've never seen hard work fail.
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My work is not about 'form follows function,' but 'form follows beauty' or, even better, 'form follows feminine.'
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Certainly since then many people have taken a lot of those ideas and ridden them for years and years and made careers out of them. Part of that is willingness to do the kind of work that I wasn't willing to do. Get into a van and cover the country.
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Morality, it could be argued, represents the way that people would like the world to work, wheareas economics represents how it actually does work.
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It would mean a lot to me. Ten years from now you'd look back and the 43 car hadn't gone to victory lane. And then you were the one to take it to victory lane. It would be a cool thing.
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Those who talk don't know what is going on and those who know what is going on won't talk.
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Outside museums, in noisy public squares, people look at people. Inside museums, we leave that realm and enter what might be called the group-mind, getting quiet to look at art.
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Missionaries must not calculate on the least comfort but what they find in one another and their work.
