Kevin Macdonald Quotes
I don't think of myself particularly as a Scottish director, but you are what you are because the first ten years of your life, and where you spend them, brand you. In that sense, I'll always be a Scottish director.
Quotes to Explore
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I realized that women's liberation is men's liberation, too.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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Look at the sky. We are not alone. The whole universe is friendly to us and conspires only to give the best to those who dream and work.
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The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
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Now, everybody knows my music. So that's really cool. A lot of kids know it. Now, when I go to a sports game, everybody knows my name.
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I shall have a beautiful dream tonight. I also wish everyone to have a beautiful dream.
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Introspection, or 'sitting in the silence,' is an unscientific way of trying to force apart the mind and senses, tied together by the life force. The contemplative mind, attempting its return to divinity, is constantly dragged back toward the senses by the life currents.
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I am very lucky I got fans, and I interact with them personally. I know that they have poured their love on me unconditionally, and all I can do is work hard and be kind to them.
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I'm a monomaniac with one goal: clean air from clean energy.
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I think you don't do work for controversy alone, and whenever you do new work which people don't understand and they say it is done to create controversy.
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Chet loved artists. He did. But he was caught up in the system. He had two hats. He had to have 'em because he did two things: he was an artist, and he was an executive.
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You have to relish the challenge of television.
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Men take only their needs into consideration - never their abilities.
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Whenever I received too much praise, it just didn't feel right to me – ever.
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Bleaching eyebrows makes me crazy.
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It is vital that Iraq and the United States together send the clearest possible signal that those who commit acts of violence against American military forces and American civilians will not be rewarded with amnesty.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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The hero is one who kindles a great light in the world, who sets up blazing torches in the dark streets of life for men to see by.
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We would like a stable policy framework, and whatever incentives and tax structures are there should be made known to investors upfront. There should be credibility, clarity and continuity in both policy formulation and its implementation.
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The ethos of 50 years ago was that there was one kind of English that was right and everything else was wrong; one kind of access that was right and everything else was inferior. Then nobody touched language for two generations. When it gradually came back in, we didn't want to go back to what we did in the 1950s. There's a new kind of ethos now.
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A tree is made to live in peace in the color of day and in friendship with the sun, the wind and the rain. Its roots plunge in thefat fermentation of the soil, sucking in its elemental humors, its fortifying juices. Trees always seem lost in a great tranquil dream. The dark rising sap makes them groan in the warm afternoons. A tree is a living being that knows the course of the clouds and presses the storms because it is full of birds' nests.
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'Unbroken' was published as a help to society.
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Nobody until very recently would have thought that their husband was supposed to be their best friend, confidante, intellectual soul mate, co-parent, inspiration.
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I don't think of myself particularly as a Scottish director, but you are what you are because the first ten years of your life, and where you spend them, brand you. In that sense, I'll always be a Scottish director.
