Adriana Trigiani Quotes
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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There is an expression now that is commonly used about these so-called internal conflicts which are not really internal, because they have connections to the outside world.
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War diminishes both civil and economic rights.
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It's time for some common sense from federal agencies.
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As I've traveled around the country, it has surprised me how many times I've heard people in small businesses use that word 'saved.' I believe many small businesses would not have had access to credit and would not have survived without the $50 billion that we were able to put into the market.
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Fashion is a language, for sure, and it is a reflection of society.
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I go straight from thinking about my narrator to being him.
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The questions don't do the damage. Only the answers do.
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There are no opportune times for a penalty, and this is not one of those times.
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If I'm offered a good case in Florida or a good case somewhere else, South Florida will win every time.
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Manuscript: something submitted in haste and returned at leisure.
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Music is about the performance.
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I knew Hunter Thompson since the '70s, and I loved him, but he would wear me out as I got older.
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Your former Fathers the Spaniards have now no further Authority over you.
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Let each person do his or her part. If one citizen is unwilling to participate, all of us are going to suffer. For the American idea, though it is shared by all of us, is realized in each one of us.
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I loved being in Bombay. It was a pretty thrilling place to walk around and explore.
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I wasn't a very good student in elementary school and had a hard time with reading and writing.
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Forests, lakes, and rivers, clouds and winds, stars and flowers, stupendous glaciers and crystal snowflakes - every form of animate or inanimate existence, leaves its impress upon the soul of man.
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Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.
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Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
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I think very abstractly when I'm writing. Then, as the project moves on, it becomes more like sculpting.
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I don't like age barriers. I don't like when people treat you differently when they find out how old you are.
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I'm directing and writing the 'Big Stone Gap' movie.
