Adrienne Kennedy Quotes
Quotes to Explore
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'Heroes' really changed the game for me in a way that nothing before it had.
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For every benefit you receive a tax is levied.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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I'm too self-serious for a comedy.
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If you take away the gift of reading, you create the gift of listening.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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When I decide I want something, I go in like an Exocet missile.
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I have only so many foreign-language neurons. When I learned Spanish, that displaced whatever Irish was left, and then I learned German, and that displaced the Spanish, and when I learned Serbo-Croatian, that displaced the German. So I'm a bit of a muddle.
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The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.
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Part of the reason I sort of shot out like a cannon out of Michigan and left home at such an early age is because I had to feel independent.
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With the mega – fame came the mega – downfall – you know, with the press and everything – and at a young age, it was very stressful to me.
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The whole of society is like a cabbage-stalk covered with caterpillars, and none is satisfied till it has crawled to the top.
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'Wicked' gave us a story that 'The Wizard of Oz' did not. Two sides to every story.
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I don't think I can name any names or anything, but this is what I've wanted to do for a long time: to have Flume as my creative outlet and to work on the biggest songs in the world, like pop, and come up with the idea and send it off.
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And if you take the cameras out of the courtroom, then you hide, I think, a certain measure of truth from the public, and I think that's very important for the American public to know.
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I'm a little disappointed in myself because before getting pregnant, I resolved to do all these things during my pregnancy to nurse a healthy pregnancy. And so I'm finding in these final weeks that I didn't do any of them.
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I write as straight as I can, just as I walk as straight as I can, because that is the best way to get there.
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People copy examples and then they wonder what is the trouble. They look at examples and without theory they learn nothing.
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To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.
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I don't think anyone looks into their family tree and expects it to come up smelling of roses.
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I've never tried to define my states of mind when I write.
