Adrienne Mayor Quotes
Before I began concentrating on writing, in my free time I was an artist, making and selling etchings illustrating stories based on my readings in classical literature.
Quotes to Explore
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We say God and the imagination are one... How high that highest candle lights the dark.
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When you were a kid, a day was a long time and a year was a long time.
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I hadn't learned to read by third grade, which wasn't unusual for some kids. I knew something was wrong because I couldn't see or understand the words the way the other kids did. I wasn't the least bit bothered - until I was sent back to the second-grade classroom for reading help after school.
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I started cooking seven years ago for real, and I started with pasta, and lasagna and roast chicken. Very normal American dishes. When I turned on Food Network, or any sort of cooking channel, that's what people were making. So that's where your education comes from.
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Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.
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How accurately can the law fix the crime? There has to be a mechanism for very fast action. The law is like this: catch them and punish them.
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My father had very little formal education.
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Chaotic people often have chaotic lives, and I think they create that. But if you try and have an inner peace and a positive attitude, I think you attract that.
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There aren't many athletes who follow their hearts. They choose to go somewhere to win more and earn more money. They're like gypsies.
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I'm a mother of a three-year-old, but when I started 'California,' my son wasn't even a twinkle in my eye. Because the book took as long as it did, I wrote it before I was pregnant, while I was pregnant, and as a new mother - so I enjoyed a diversity of experiences while creating this world.
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I don't like traditions, I am very personal, very independent, I don't like intimate ladies, I mean in German lieder there's a lot of copy, a lot of imitation, a lot of tradition, and this I have put it aside.
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Life is like an analogy.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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I'm in no way suggesting that my opinion matters more than anyone else's, of course, but the only thing that bothers me is apathy. People that sit out of the process and complain about it, or pretend that politics isn't a part of their everyday lives.
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The spiritual reality of the Indian world is very evident, very highly developed. I think it affects the life of every Indian person in one way or another.
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People are losing the capacity to listen to words or follow ideas.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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I've got quite a vivid imagination and I'm easily overwhelmed by sensations and things that are beautiful or scary. I don't think I've ever seen a ghost - I think I'm probably haunted by my own ghosts than real ones.
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But when I go to Chicago, I know I'm home.
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It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.
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I've never been the type of person that puts things on a shelf or, like, needs to clean my sneakers every day. I just wear what I like.
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From its earliest days in the nineteenth century, and until the Holocaust, the Orthodox rabbinate in eastern Europe was not enthusiastic about the Zionist movement, which at the time was led by irreligious Jews.
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When you knock people out, it's sometimes a very scary situation - but I always hoped that no one got seriously hurt. Now when I see them get knocked out, I laugh. When you finish the game, it's funny. And when I look at film of myself, I think, 'I wouldn't fight that guy.'
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Before I began concentrating on writing, in my free time I was an artist, making and selling etchings illustrating stories based on my readings in classical literature.
