Kevin Parker (Kevin Richard Parker) Quotes
Grunge gave me a sense of identity, and I remember really associating with 'Silverchair,' who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like, 'Oh, man, you don't have to be a 30-year-old to do this.'
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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It's a combination of life being unpredictable, and you being super dumb.
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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Art is subjective. I'm not looking for people's praise.
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There is a strong sentiment within the Tea Party that favors a stronger America on the global stage, and with that comes a strong alliance with the State of Israel.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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You're going to have some ups and downs, so you have to prepare yourself to be ready. Those down moments come.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Unfortunately or fortunately, in order to become acquainted with the idiom of country or rock music, it is necessary to occasionally play in a bar. Bars are a rehearsal place.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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I saw a lot of people have success handed to them that then exploited it. They didn't protect it or cherish it.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
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The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.
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With kiting, you have to land a trick, and in that instant you know whether you won or lost - I knew I could become the best in the world if I trained. But with acting, there are different variations; there's not a right or wrong way. It's so hard because it's so out of your hands. I have no idea what's going to happen!
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Mother Nature made me the way I am, and I should be happy.
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If most women are looking for security, I think men look for adventure.
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No man stops caring as long as he breathes. As long as he has a mind and memory, he will care. This is what separates us from the animals. We have feelings.
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I've made music since I was a kid so I've always gotten joy out of that.
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I've known who I am as an artist for a long time; 'Idol' has shown me what I'm capable of. I know it's all possible for me now. I can go in any direction I want. I'm forever grateful to them.
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Happiness does not exist as an isolated quality, nor does it conform to a single fixed pattern. Happiness is something that breathes and lives in the relationships between one person and another.
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The moment I began to understand what was going on with the treatment of animals, it led me more and more in the way of the path I am [on] now, which is a complete vegan.
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Grunge gave me a sense of identity, and I remember really associating with 'Silverchair,' who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like, 'Oh, man, you don't have to be a 30-year-old to do this.'
