Kevin Parker (Kevin Richard Parker) Quotes
Grunge gave me a sense of identity, and I remember really associating with 'Silverchair,' who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like, 'Oh, man, you don't have to be a 30-year-old to do this.'
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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It's a combination of life being unpredictable, and you being super dumb.
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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We have such little mystery in our lives generally because of how we live now. I mean, of course, mystery is all around us, but the way we live our lives now, we're too busy to be bothered with it.
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We were these arty punks from Hollywood. I considered myself an intellectual.
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Art is subjective. I'm not looking for people's praise.
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There is a strong sentiment within the Tea Party that favors a stronger America on the global stage, and with that comes a strong alliance with the State of Israel.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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You're going to have some ups and downs, so you have to prepare yourself to be ready. Those down moments come.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Unfortunately or fortunately, in order to become acquainted with the idiom of country or rock music, it is necessary to occasionally play in a bar. Bars are a rehearsal place.
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Nothing is more enjoyable for me than when I'm watching a movie or a TV show and there's that sense that anything can happen. It is the most fun feeling in the world.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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I saw a lot of people have success handed to them that then exploited it. They didn't protect it or cherish it.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
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The first five minutes in Gramacho is really overwhelming because all of your senses are being attacked. Visually, too, because your eyes move and see fragments of things you recognize, but not quite, so it's very artistic. Your eyes are moving, then there's the smell, and the noise is unbearable.
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The thing I want to see before I die is women achieving full equality in the world. I'm very passionate about injustice against women and there's too much of it in the world. In so many parts of the world, women are not regarded as worthy or equal to men. In parts of the world, women are bought and sold.
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You are an artist. What work of art will you leave behind?
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I was a pioneer in MTV and I was there from the very beginning. So I saw how that developed and how loose it was and how much fun it was in its looseness. And I was influenced a lot by that.
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You have to always remember who your guest is, and thats who we cater to.
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Grunge gave me a sense of identity, and I remember really associating with 'Silverchair,' who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like, 'Oh, man, you don't have to be a 30-year-old to do this.'
